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By the best-selling co-author of Inner Tennis, here's a book designed to help musicians overcome obstacles, help improve concentration, and reduce nervousness, allowing them to reach new levels of performing excellence and musical artistry.
- Sales Rank: #64036 in Books
- Brand: Doubleday
- Published on: 1986-02-21
- Released on: 1986-02-21
- Ingredients: Example Ingredients
- Original language: English
- Number of items: 1
- Dimensions: 8.53" h x .82" w x 5.77" l, .84 pounds
- Binding: Hardcover
- 225 pages
From the Publisher
By the best-selling co-author of Inner Tennis, here's a book designed to help musicians overcome obstacles, help improve concentration, and reduce nervousness, allowing them to reach new levels of performing excellence and musical artistry.
From the Inside Flap
By the best-selling co-author of "Inner Tennis, here's a book designed to help musicians overcome obstacles, help improve concentration, and reduce nervousness, allowing them to reach new levels of performing excellence and musical artistry.
About the Author
Barry Green is a U.S. orchestral and solo double bass player and teacher. He was the principal bassist for the Cincinnati Symphony.[1] A contemporary of people such as Gary Karr, he has developed and publicized his own method for double bass.
Most helpful customer reviews
41 of 43 people found the following review helpful.
The Tennis Book is Better, Even for Musicians
By R. R. Costas Jr.
I literally read the Inner Game of Tennis right before I read this book. I was fascinated and felt it had immediate effects on my playing. I thought it'd be an appropriate Christmas gift for my drum teacher who, without knowing it, uses a similar approach and had never heard of the book. While looking for it on Amazon, I noticed they had The Inner Game of Music and, after reading some of the glowing reviews, I decided to buy that one instead as it seemed more relevant. I bought a copy for me and my teacher. After reading most of it, I ordered the Tennis one for my teacher as his gift. I just thought the Tennis one's concepts are better explained and more sensical in a way that can be applied to any discipline, including music. Clearly Mr. Green is a string-instrument player (bass) and tends to play mostly in a classical setting and I think the book will have special appeal to similar musicians. I play a few instruments, but drums are my main instrument and I just didn't see much to help me there that I didn't get from the Tennis version in a more effective manner. In particular, I need to work on my improvisation skills and I thought this book would especially help me in that regard. It didn't. The Improvisation chapter is one of the last, and one of the weakest in my opinion. This book is heavy on examples and exercises that I find difficult to get a benefit from as an adult. I'm pretty well-rounded and educated in my musical tastes and experiences and the information on why people enjoy or don't enjoy some or all music seemed a little elementary and little-related to what I think the "Inner Game" franchise is about.
78 of 86 people found the following review helpful.
Heightened levels of confidence, creativity and enjoyment
By CharIes Mingus@aol.com
The book's themes are universal and can be applied to anyone at any stage of musical development. The book helps you to focus more on making music and connecting emotionally with it. It also allows you to eliminate those internal demons which plague people's abilities. You can put the book's methods into practice almost immediately and at the same time spend a lifetime studying and absorbing the techniques at your own pace. Be prepared to abandon conventional methods of learning and really tap into your full potential.
1 of 1 people found the following review helpful.
Not A Good Transcription
By Empty & Sweating
This book is okay but is nowhere near as succinct as the Inner Game of Tennis by Tim Gallwey. This book tends to go off on too many tangents and often repeats itself incessantly. It mostly just discusses ways of keeping Self 1 at bay and just goes on and on about it. It would have been nice if the author could mainly have focused his attention on directly transcribing Tim Gallwey's original 1974 book, but this it does not do. The author just puts too much of his own baloney into the mix. This book is still somewhat insightful, but I definitely would not say it was "hard to put down". Because in truth, it is all too easy to put this one down, and often for long stretches of time. But I still think it was worth purchasing for the heck of it.
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