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SPOILER-CONTROLLED DESIGN FROM PIGGYBACK

• Sales Rank: #131911 in Books
• Brand: Brand: Prima Games
• Published on: 2011-11-15
• Released on: 2011-11-15
• Original language: English
• Number of items: 1
• Dimensions: 10.84" h x .66" w x 8.02" l, 1.72 pounds
• Binding: Paperback
• 224 pages

Features

• Used Book in Good Condition

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The eighteen chapters of The Bhagavad Gita (c. 500 b.c.), the glory of Sanskrit literature, encompass the whole spiritual struggle of a human soul. Its three central themes—love, light, and life—arise from the symphonic vision of God in all things and of all things in God.

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

• Sales Rank: #59112 in Books
• Brand: Mascaro, Juan (TRN)/ Brodbeck, Simon (INT)
• Published on: 2003-02-25
• Released on: 2003-02-25
• Original language: English
• Number of items: 1
• Dimensions: 7.78" h x .43" w x 5.03" l, .27 pounds
• Binding: Paperback
• 160 pages

About the Author
Juan Mascaró taught at Oxford University, Parameshvara College at Jaffna, the University of Barcelona, and Cambridge University. He also translated The Dhammapada and The Upanishads for Penguin Classics. He died in 1987.

 

Simon Brodbeck studied at the Universities of Cambridge and London and completed a Ph.D. thesis on The Bhagavad Gita at the School of Oriental and African Studies.

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224 of 226 people found the following review helpful.
One of the more attractive versions for the general reader.
By tepi
Juan Mascaro's edition of the Gita is undoubtedly one of the more attractive versions for the general reader who is approaching the Gita for the first time. Mascaro, besides being a Sanskrit scholar, is a sensitive translator who clearly resonates to the Gita. He tells us that the aim of his translation is "to give, without notes or commentary, the spiritual message of the Bhagavad Gita in pure English." To suggest just how well he has succeeded, here is his rendering of Verse II.66:
"There is no wisdom for a man without harmony, and without harmony there is no contemplation. Without contemplation there cannot be peace, and without peace can there be joy?"
Many readers will probably be content to remain with Mascaro, and it certainly seems to me that his translation reads beautifully and that a fair number of his verses have never been bettered by others. But the Gita is not quite so simple as it may sometimes appear. If we want to arrive at a fuller idea of just what the Gita means by "wisdom," "harmony," "contemplation," "peace," and so on, we will need to consult other and fuller editions.
There are many editions which, besides giving a translation of the Gita, also give a full commentary such as the excellent one by Sri Aurobindo in his 'Bhagavad Gita and Its Message' (1995). Others, besides giving a commentary and notes, also give the Sanskrit text along with a word-by-word translation. Some of these even include the commentary of the great Indian philosopher, Shankara (c. + 788 to 820), such as the very fine edition by Swami Gambhirananda (Calcutta: Advaita Ashrama, 1995, which may be available through the Vedanta Press, CA). Here is the latter's English rendering of Verse II.66:
"For the unsteady there is no wisdom, and there is no meditation for the unsteady man. And for an unmeditative man there is no peace. How can there be happiness for one without peace?"
This may not seem to have carried us much beyond Mascaro until we start looking at Shankara's commentary, of which the following provides a taste:
"Ayuktasya, for the unsteady, for one who does not have a concentrated mind; na asti, there is no, i.e. there does not arise; buddhih, wisdom, with regard to the nature of the Self; ca, and; there is no bhavana, meditation, earnest longing for the knowledge of the Self; ayuktasya, for an unsteady man. And similarly, abhavayatah, for an unmeditative man, who does not ardently desire the knowledge of the Self; there is no shantih, peace, restraint of the senses. Kutah, how can there be; sukham, happiness; ashantasya, for one without peace? That indeed is happiness which consists in the freedom of the senses from the thirst for enjoyment of objects; not the thirst for objects - that is misery to be sure. The implication is that, so long as thirst persists, there is no possibility of even an iota of happiness!" (page 112-3).
For anyone who would like to see a full treatment of the language of the Sanskrit text, there is Winthrop Sargeant's stupendous labor of love, 'The Bhagavad Gita' (SUNY, 1984) which offers a complete grammatical description of every single Sanskrit word in the text, along with much else.
Finally, for anyone who would like to look at a first-rate study of the Gita, there is Trevor Leggett's 'Realization of the Supreme Self - The Yoga-s of the Bhagavad Gita' (Kegan Paul International, 1995). This is a superb work with an intensely practical bent which sees the Gita, not so much as a metaphysical treatise but as a book of practical instruction. I used to think I knew the Gita before I discovered Leggett!
But despite the great wealth of available editions, of which I've mentioned only a few here, I still find myself returning to Mascaro from time to time. A perfect translation of the Gita into English is probably unattainable, but Mascaro seems to have come as close as anyone is ever likely to do. His version has a tendency to send down roots and grow in the mind.

27 of 27 people found the following review helpful.
This is a beautiful, pure, simple translation of a classic.
By A Customer
Juan Mascaro's translation of the famous Bhagavid Gita, the song of our Lord, is truly beautiful, and breathes purity, simplicity, spirituality, and insight throughout. This is one of the classic scriptures of Hinduism, along with the Upanishads and the Ramayana....and tells the tale - against a backdrop of "earthly battle" - of the soul's battle to find God, and to manifest His will on this earth. It is exceptionally clear, and explains the nature of the human being, HOW one should live one's life (work, food, thoughts, associations, etc.), the nature of meditation, how to become enlightened, the nature of God, and what constitutes a holy man. I want to quote some of the beauty of the phrases, but without the book immediately in front of me, fear I will misquote. But it is a book of poetry, an explanation of the right attitude to work, action, thoughts, enlightened men, God, oneself, where the vehicle of the battle is just that - a vehicle used to convey these ancient, and in the East very well understood, and timeless truths.

55 of 61 people found the following review helpful.
Simple and effective
By racx
Juan has done a fantastic job of translating the Gita into such concise writing. Every verse interpreted (though it biased towards Juan's opinion or philosophies) was succinct and did not require the reader to crack his/her head over the meaning. For me it was certainly an excellent introduction to the marvellous poem. Another version by Ramanand Prasad is more in depth and profound in it's translation. The free version by him could be found at [...] Here's an example of the two contrasting profundity and distinctive styles of translations:
For verse 2:27 Juan's translation was :
Set thy heart upon thy work, but never on its reward. Work not or a reward; but never cease to do thy work.
as for the one by Ramanand Prasad, it came out as :
You have Adhikaara over your respective duty only, but no control or claim over the results. The fruits of work should not be your motive. You should never be inactive. (2.47) (The word Adhikaara means ability and privilege, prerogative, jurisdiction, discretion, right, preference, choice, rightful claim, authority, control.)
A reader wishing to venture into the depths of the Gita should consider reading this version by Juan as an overview of it.

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• Sales Rank: #2589230 in Books
• Model: 24146746
• Published on: 2012-01-01
• Original language: English
• Number of items: 1
• Dimensions: 6.90" h x .10" w x 7.20" l, .10 pounds
• Binding: Paperback
• 24 pages

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This elegant and provocative book is perhaps more important now than when it was first published. The three essays that comprised the first edition developed a remarkable discourse between ancient Greek and modern conceptions of democracy, in the belief that each society could help us understand the other. To the original three essays, Sir M. I. Finley has added two that clarify and elaborate the thinking of the first edition.

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• Sales Rank: #1478395 in Books
• Brand: Brand: Rutgers University Press
• Published on: 1985-10-01
• Original language: English
• Number of items: 1
• Dimensions: 8.50" h x .47" w x 5.51" l, .60 pounds
• Binding: Paperback
• 208 pages

Features

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About the Author

A Master of Darwin College, Cambridge, from 1976 to 1982, M.I. Finley has since that time held the titles of Honorable Fellow at Darwin College and Honorable Doctor of Humanities and Literature at City College of New York. The essays in the first edition of this book were presented as part of the Mason Welch Gross Lectureship, established in honor of Rutgers University’s President Emeritus.

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4 of 11 people found the following review helpful.
Democracy Ancient and modern
By Patricia Fischer
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*This is a custom press version (Webster University edition) of "Strategic Management" (13th Ed.) by Pearce and Robinson (2012), with an ISBN-13 of 978-0078029295. Softcover.

• Sales Rank: #1906665 in Books
• Published on: 1851
• Dimensions: 1.25" h x 8.50" w x 11.00" l,
• Binding: Hardcover
• 382 pages

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This work explores the technological and philosophical history of inflatable art, architecture and design up to the present day, examining its presence in all aspects of life, from children's toys to military craft. The author illustrates the countless uses of air-filled forms, revealing how inflatable objects still evoke the sense of optimism and escape that inspired the first designers in this field, the 18th-century inventors of the hot-air balloon. The author argues that, although inflatable forms have been around for centuries, scientists, architects, artists and manufacturers keep rediscovering this deceptively simple technology. He explains how some of its first applications were extreme environments, where it appealed to scientists and the military. But in the 1960s, artists such as Andy Warhol and Claes Oldenburg, and design collectives such as Utopie and Archigram, used pneumatic forms to challenge conventional assumptions about the role of materials in art and architecture. Contemporary designers such as Verner Panton and Issey Miyake have incorporated blow-ups into their work, and today inflatables have entered the mainstream market in such diverse structures as toys, furniture and walk-through environments. The artists featured in the book include: Victor Lundy; Hans-Walter Mueller; Otto Frei; Yayoi Kusama; Christo; Claes Oldenburg; Jeffrey Shaw; Lygia Clark; Takashi Murakami; Takahiro Fujiwara; Philippe Parreno; Andy Warhol; Issey Miyake; Archigram; Walter Bird; AJS Aerolande; Francisco de Goya; Haus Rucker; Quasar Khan; Nicholas Grimshaw; and Verner Panton.

• Sales Rank: #1855887 in Books
• Brand: Brand: Prestel Publishing
• Published on: 2002-05
• Original language: English
• Number of items: 1
• Dimensions: .81" h x 7.90" w x 7.90" l,
• Binding: Hardcover
• 160 pages

Features

• Used Book in Good Condition

From the Publisher
Inflatable forms have been around for centuries, but scientists, architects, artists, and manufacturers keep rediscovering this deceptively simple technology. Some of its first applications were extreme environments, where it appealed to scientists and the military. But in the 1960s artists such as Andy Warhol and Claes Oldenburg, and design collectives such as Utopia and Archigram, used pneumatic forms to challenge conventional assumptions about the role of materials in art and architecture. Contemporary designers such as Verner Panton and Issey Miyake have incorporated blow-ups into their work, and today inflatables have entered the mainstream market in such diverse structures as toys, furniture, and walk-through environments. This unique work brings the technological and philosophical history of pneumatics into the present, beautifully illustrating its countless uses as it reveals how inflatable objects still evoke the sense of optimism and escape that inspired the first designers in this field.

About the Author
Sean Topham studied design and currently works as a writer and journalist. His interest in plastics began while writing a documentary on Action Man. He lives in London, England.

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5 of 5 people found the following review helpful.
A fascinating book. A great gift.
By vw
Start dreaming. Let yourself be carried away into an amazing world of Art, Architecture and Design. And order another book for your best friend.
This is what blowup will do to you.
My wife is the design author Ingrid Wenz-Gahler, and when I gave her this book her first words were: How much work to get all this information, to collect all those pictures. She knows what she is talking about.
blowup by Sean Topham is a richely illustrated history of inflatable design and pneumatic technology which encompasses us in all aspests of life. This book takes you through two hundred years of engineering inflatables from the first start of a Montgolfière in France in 1783 to pneumatic dummy Sherman tanks used in World War II by the British and to architectural challenges like the Eden project of 2001 in the American West.
What I like most about this book is the use of inflatables in modern art, the film industry and even fashion. Sean Topham has looked into every corner of this world and came up in this book with pictures of Woody Allen in an inflabable body-suit for the film Sleeper, with fashion created by Jean-Paul Gaultier and many others, and with countless pieces of art like Andy Warhol's Silver Clouds and Hans Haakes Sky Line. - Just to name a few.
What Sean Topham is showing us that inflatable art, architecture and design is adding beauty to our lives. WELL EARNED FIVE STARS.

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Take a front-row seat and witness the filmmaking magic that brought J.K. Rowling’s script for Fantastic Beasts and Where to Find Them to the screen.  Explore the realm of fantastical creatures that roam the wizarding world and discover the magical cast of characters in pursuit of them.

Officially licensed by Warner Bros. Consumer Products, and designed by MinaLima, designers of the graphic props for the Harry Potter films as well as Fantastic Beasts and Where to Find Them, The Case of Beasts delivers an enchanting interactive experience by sharing filmmaking secrets, film photography and artwork, and behind-the-scenes stories from cast and crew. Full of removable, facsimile reproductions of props and paper ephemera from the movie, along with some very special effects, this collectible volume offers a unique look from the talented group who created this movie magic.

• Sales Rank: #168 in Books
• Published on: 2016-11-18
• Released on: 2016-11-18
• Original language: English
• Dimensions: 11.25" h x 9.75" w x 1.25" l,
• Binding: Hardcover
• 160 pages

About the Author

Mark Salisbury is a contributing writer for Premiere magazine. He edited the book Burton on Burton (Faber & Faber) and is the author of Behind the Mask: The Secrets of Hollywood's Monster Makers, among other books.

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9 of 10 people found the following review helpful.
So amazing to have a piece of the magic at home!
By Amber
I am absolutely in love! Living in the US this is about as close as I can get to seeing all of the magical items at the House of MinaLima. I adore all of the pull outs and it really brings the movie and the magic into your home. The whole book is just art in itself. I didn't even know about it and saw it on the MinaLima instagram and knew I had to have it. It's perfect for any Harry Potter fan. My brain is on overload flipping through the pages. ALSO: I LEGITIMATELY NEED TO KNOW IF I CAN SUBMIT THIS APPLICATION FOR WAND PERMIT!!! Please? Ha ha. Love the book and the movies and it's amazing to have a piece of the magic at home.

2 of 2 people found the following review helpful.
Lovely design
By LC
I haven't actually watched the movie yet but when I noticed that this book was designed by MinaLima, this was an instant buy for me. I was certainly not disappointed. I loved the work they did in the harry potter films and this is not an exception. I love the posters, the inserts and everything about it!

2 of 2 people found the following review helpful.
Love it!
By Hart Ford
Yes yes yes!!!! Also do not forget to buy the Harry Potter film wizardry as well, it has loads of pull outs too! When I met D. Rad in person, he signed his "Undesirable No. 1" poster by Minalima. :)

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