Senin, 29 April 2013

[M849.Ebook] Download Ebook Innocenti Lambretta: The Definitive History - Expanded Edition, by Vittorio Tessera

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Innocenti Lambretta: The Definitive History - Expanded Edition, by Vittorio Tessera

The Lambretta was undoubtedly one of the most popular means of transport of the Fifties and Sixties. A valid alternative to the car, it was a loyal travelling companion for hundreds of thousands of Italian families, who had the good fortune to ride it for work or pleasure or both. Together with the Vespa, the Lambretta monopolised the Italian scooter market and was able to conquer that position due to its original technical characteristics and its exceptionally modern design. This is now the third edition of the Innocenti Lambretta book by Vittorio Tessera, expanded with all-colour photographs reproducing rare advertising of the period, the manufacturer's brochures and even film posters of the Lambretta, which was the legendary, unforgettable and unquestioned protagonist in its golden years.

  • Sales Rank: #2221831 in Books
  • Published on: 2012-01-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.94" h x 1.13" w x 10.13" l, 3.80 pounds
  • Binding: Hardcover
  • 256 pages

About the Author
The founder and owner of Casa Lambretta in Italy, Vittorio Tessera is the most authoritative expert on Innocenti Lambretta in the world. Vittorio has been the Italy Lambretta Club president for many years, and author of The Definitive History of Innocenti Lambretta. He is founder and curator of the International Scooter Museum in Rodano, Italy.

Most helpful customer reviews

2 of 2 people found the following review helpful.
Next best thing to having my Lambretta back
By Thomas Patrick Dougherty
I thought I knew something about Lambrettas, but I see that I was mistaken. This is the next best thing to having my TV175 Series III back.

2 of 2 people found the following review helpful.
Very good!
By Alberto Ferreira
Excellent job of Sig Vittorio Tessera. Very rich material and well illustrated. Great photos and texts. Alberto Ferreira (from Brazil)

2 of 3 people found the following review helpful.
The title is spot on!
By Justin Giles-Clark
This IS the definitive history. Great photos and historic background on this icon of Italian style!
Recommended reading for anyone wanting to know more about scootering history and the guru that was Ferdinando Innocenti.

See all 3 customer reviews...

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[D749.Ebook] Download PDF How To Get A Woman To Pay You, by Guy Blaze

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First of all let me start out by saying, when I say how to get a woman to pay you, I really mean how to get a bitch to pay you. It's not like I can come on Amazon an outright say that, because that’s out-of-pocket. If I have to explain the difference between a woman an a bitch to you, then Ima have to write another got dam book. These bitches out here are very much willing to pay you. You just need to come at the bitch correct. Most of you guys talking to these females like they made of gold. When really she just a whack as bitch made of sand. So why would you be spending money on this weak bitch? Buying her new clothes, buying her jewelry, putting money down on condos, cars, and signing your name on loans, and leases. Really this bitch should be paying you! She should be paying you for your time. She should be paying you for dealing with her bull shit. She should be paying you for being a real mothafucka. She should be paying you for even allowing yourself to be around her whack ass. Over the years I’ve had bitches pay for anything you can imagine. I’ve had bitches pay for rent, new cars, student loans, game systems, TVs, clothes, shoes, groceries, car insurance, phone bill, new phones, laptops, Cameras, studio equipment, you name it. So I know what the fuck I’m talking about. These bitches are easily manipulated. At the end of the day, every bitch was better off after I was done with them. The lessons that I taught these bitches changed their perspective on life. They learned how to pick the right dudes to fuck with. That’s the greatest lesson you can teach any bitch, but the game is to be sold not told.

  • Sales Rank: #192400 in eBooks
  • Published on: 2015-04-17
  • Released on: 2015-04-17
  • Format: Kindle eBook

About the Author
Since the dawn of time, opportunistic women have used men to get ahead. They have flashed a pretty smile, and some charm, and got ahead. They have used their sexuality to play on the weaknesses of men. Some of them are even more intelligent, and have used their words to manipulate men. No matter what their tools may be. They have always found a way to get what they want. I have seen men buy women houses. I've seen men buy women cars. Ive seen a man give a women 50,000 dollars. I started to believe that money was the way to get women. Then one day I saw something interesting. I saw a man In the process of purchasing a brand-new car, but when it came time to put the money down, his woman paid the bill. I was very young when this happened. Fortunately my father had knowledge of what was going on. He brook it down to me in simply terms. He showed me how to manipulate the mind of ah bitch. He schooled me in the ways of Macking. Since then I have utilize my skills to get what I want from women. I have had women buy me anything that you can imagine. To this day I continue to get more, and more. Why should they have all the fun. It’s a new day, and age. It’s time for ah bitch to pay for my time. No more buying your way in. No more expensive gifts. It’s your turn to be spoiled. If you want something, tell that bitch to go get it.

Most helpful customer reviews

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REMOVE THIS BOOK AND OTHERS LIKE IT.
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Three Stars
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See all 9 customer reviews...

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Minggu, 21 April 2013

[G616.Ebook] Ebook Q: The Autobiography of Quincy Jones, by Quincy Jones

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Q: The Autobiography of Quincy Jones, by Quincy Jones

Musician, composer, producer, arranger, and pioneering entrepreneur Quincy Jones has lived large and worked for five decades alongside the superstars of music and entertainment -- including Frank Sinatra, Michael Jackson, Steven Spielberg, Oprah Winfrey, Ray Charles, Will Smith, and dozens of others. Q is his glittering and moving life story, told with the style, passion, and no-holds-barred honesty that are his trademarks.

Quincy Jones grew up poor on the mean streets of Chicago’s South Side, brushing against the law and feeling the pain of his mother’s descent into madness. But when his father moved the family west to Seattle, he took up the trumpet and was literally saved by music. A prodigy, he played backup for Billie Holiday and toured the world with the Lionel Hampton Band before leaving his teens. Soon, though, he found his true calling, inaugurating a career whose highlights have included arranging albums for Frank Sinatra, Ray Charles, Dinah Washington, Sarah Vaughan, and Count Basie; composing the scores of such films as The Pawnbroker, In Cold Blood, In the Heat of the Night, and The Color Purple, and the theme songs for the television shows Ironside, Sanford and Son, and The Cosby Show; producing the bestselling album of all time, Michael Jackson’s Thriller, and the bestselling single “We Are the World”; and producing and arranging his own highly praised albums, including the Grammy Award—winning Back on the Block, a striking blend of jazz, African, urban, gospel, and hip-hop. His musical achievements, in a career that spans every style of American popular music, have yielded an incredible seventy-seven Grammy nominations, and are matched by his record as a pioneering music executive, film and television producer, tireless social activist, and business entrepreneur–one of the most successful black business figures in America. This string of unbroken triumphs in the entertainment industry has been shadowed by a turbulent personal life, a story he shares with eloquence and candor.

Q is an impressive self-portrait by one of the master makers of American culture, a complex, many-faceted man with far more than his share of talents and an unparalleled vision, as well as some entirely human flaws. It also features vivid testimony from key witnesses to his journey–family, friends, and musical and business associates. His life encompasses an astonishing cast of show business giants, and provides the raw material for one of the great African American success stories of this century.

  • Sales Rank: #142833 in Books
  • Published on: 2001-10-09
  • Released on: 2001-10-09
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.53" h x 1.50" w x 6.40" l,
  • Binding: Hardcover
  • 416 pages

Amazon.com Review
He reached an apogee of fame in the mid-1980s as the producer-arranger of Michael Jackson's blockbuster album Thriller and the charity single "We Are the World," but Quincy Jones has been a force in American music since he was a teenager. He swung hard enough to play with beboppers like Dizzy Gillespie; he studied composition with the legendary Nadia Boulanger; he scored dozens of films and TV shows; he arranged and/or produced albums for everyone from Frank Sinatra to Leslie Gore, and rappers like Melle Mel don't disdain the old man either. Looking back at age 68 in a good-natured autobiography supplemented with brief chapters by such friends as Ray Charles and ex-wife Peggy Lipton, Jones asserts, "I've been driven all my life by a spirit of adventure and a criminal level of optimism." Given his beginnings, growing up poor in Chicago and Seattle with a mentally ill mother lurking in the background, that's quite an achievement. Jones never stood still long enough to let sorrow catch him, and though his treatment of his personal life is standard Hollywood glib ("Though Nastassja [Kinski]'s and my relationship as a couple was not destined to last, she is a great friend"), his prose catches fire when it touches on music: Dinah Washington "could take the melody in her hand, hold it like an egg, crack it open, fry it, let it sizzle, reconstruct it, put the egg back in the box and back in the refrigerator, and you would've still understood every single syllable." His furious energy may have been fueled by personal demons, but his joyous sweep through a half century of American pop convinces you that Jones was right to keep moving: "Nothing is ever wrong if it's going someplace," he asserts. "Music is about ever-changing." --Wendy Smith

From Publishers Weekly
With some chapters written by Jones, and others by his family and friends (Ray Charles and Peggy Lipton, to name a few), this (auto)biography full of behind-the-scenes anecdotes has an improvisational feel that suits its subject: a jazz musician and superstar composer. Jones came from a hardscrabble background split between Seattle and Chicago when he was still a boy, his schizophrenic mother was placed in a mental hospital for a time, and he was raised by his father and a stepmother. Jones discovered his talent for music early on, and hit the road with Lionel Hampton's jazz band when he was still a teenager. Hampton is just one of the musical greats who makes an appearance Frank Sinatra, Dinah Washington and Ray Charles are others. Jones scored his greatest musical successes during the 1970s and '80s (during which years he composed film scores and Michael Jackson's albums), but the strength of the book comes early on, when he describes the joy of his discovery of music, his early friendship with Charles and his struggles and joys as a jazz trumpeter on the road. "When I played music, my nightmares ended. My family problems disappeared." But to Jones's credit, he doesn't hold back his narrative when those problems caught up with him in the 1980s and he suffered a mental breakdown. With the help of his friends, Jones has composed a life story that gives much more than the typical celebrity memoir. (Oct.)Forecast: This title will appeal to many, including fans buying the CD boxed set, Q: The Music of Quincy Jones.

Copyright 2001 Cahners Business Information, Inc.

From Library Journal
Jones has been a celebrated jazz trumpeter, band leader, arranger, composer, producer, and business mogul. Now he can add writer to his r sum . His powerful, cinematic recollections range from his mother's mental illness, a rough childhood in Chicago, and a musical epiphany in Seattle to working with Lionel Hampton, Dizzy Gillespie, and Frank Sinatra, leading his own band through a ramshackle tour of Europe, becoming a successful writer of motion picture and television music, producing two of the biggest-selling records of all time (Michael Jackson's Thriller and the "We Are the World" charity single), and surviving two brain operations and a mental breakdown. Jones's snapshots of these events alternate with revealing sections written by his brother, ex-wives, children, and close friends (alas, no Jacko). Though gimmicky in theory, these "witness" chapters actually complement and deepen Jones's firsthand remembrances. Most problematic are the tiresome chapters devoted to his love life (he's fathered seven children by five different women) and the unfocused nature of the book's second half. These flaws, though substantial, are outweighed by the book's strengths. Recommended for most collections.
- Lloyd Jansen, Stockton-San Joaquin Cty. P.L., CA
Copyright 2001 Reed Business Information, Inc.

Most helpful customer reviews

19 of 19 people found the following review helpful.
As masterful as Quincy Jones' arrangements: A classic
By Joel L. Gandelman
The autobiography of Quincy Jones is like one of his arrangements: masterful, engaging on several levels, and state-of the-art.
Jones' life story seems MADE for a highly dramatic, award-winning t.v. or big screen movie -- and I dearly hope it'll be made into one. Musician. Producer. Businessman. Composer. Arranger. Determination and incredible talent skyrocketing him over big obstacles. It's fitting that Jones' biggest passion is music because this outstanding autobiography truly SINGS.
From the first pages, you're thrust into the drama -- and challenge -- of Jones' life. Born into a poor family, throughout most of his life (well into his adult years) Jones struggled with how to cope-with and at times how to distance himself from a mother who suffered from severe mental illness. Music became his savior and Jones embraced it like the stable motherly love which he sought and he lacked as a child. He embraced Mother Music, letting it's beauty embrace, comfort and sustain him.
There are several things that sets this book apart from other show biz bios and makes it such sheer JOY for readers of ALL ages (old fogies like me who grew up with his music as well as young folks interested in music, interested in biographies or interested in show business and the arts in general):
1.PANORAMIC STYLE. There is so much in it that we can only list a little here, such as the poignant vignette of a young, arts-smitten Jones, just discovering his musical "chops" and bonding with a blind teenage musician named Ray Charles who basically mentored and inspired him; his later associations with greats such as Sammy Davis Jr, Ella Fitzgerald, Frank Sinatra, Michael Jackson and many many more.
Jackson, he writes, "wanted to be the best of everything" so he "went to the top model in each (show biz) category to create an act and a persona that would be unequalled." But "somehow later on the line between the reality and the fantasy got blurred." In the end, Jones writes, Jackson became "a total sponge, a chamelon." Jackson practiced hours and hours to perfect every single move, gesture and facial expression.
I am haunted by Jones' portrait of Sinatra. For all the tough-guy accounts elsewhere, Sinatra comes across as a noble and principled human being -- cooking Jones breakfast when he learned that Jones stayed up all night working; insisting that African-American musicians for his Vegas concert be allowed to play and get good rooms at a casino and telling his security to do significant bodily harm to any racists who harrassed them, even the slightest bit.
2)SECOND VOICES. Not all chapters are written by Jones. He also let others write their accounts about parts of his life, and not all of this material is complimentary. This adds a documentary feel and a sense of balance that most show business autobiographies lack.
3)USEFUL OBSERVATIONS. In his chapter on Michael Jackon's rise to the top of the music heap he notes that writes that he learned that "Nobody stays at the top. Nobody." Success, he writes, is "about preparation, then finding the right
opportunity" -- and that he learned that "being chronically underestimated can be a gift."
Jone's autobiography takes you through the 20th century's top musical and show business eras, and gifts you an incredible cast of famous well-etched cameos. The depth, ease, and detail of this panoramic journey is paralleled only by his private trek -- from poverty to aspiration to success, all amid personal family tragedies. In the end, we see a man (and artist) who constantly survived and triumphed due to his humanity -- and his unceasing personal growth.

3 of 3 people found the following review helpful.
Q had an amazing ride
By R. J. Marsella
I ,like many of the reviewers below, am just blown away by the accomplishments of this man. His life in music spans decades and musical styles that makes him unique among American musicians. From Lionel Hampton to Frank Sinatra To Michael Jackson to a seemingly endless list of film and TV scores----Q has seen and done it all musically.
The book is very well written and touchingly sentimental in his recollection of deceased family members and friends. At one point I began to wonder if Q ever met a man or a woman he didn't like. He has so much that is positive to say about almost everyone he came into contact with in what is a notoriously sleezy business that I began to wonder if he was just trying to be inoffensive. I concluded at last that this guy is just blessed with a generous heart that allows him to see the best in people. His genuine love of the music and the people who make it with him just jumps off the pages.
This is an inspiring story of a man who has overcome considerable obstacles both social and physcial but has retained his essential positive energy. He is one of the all time greats.

0 of 0 people found the following review helpful.
A Good Read!
By Pam
I enjoyed this story. I also like how others in Quincy family wrote some chapters as to their thoughts!.

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Kamis, 18 April 2013

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Essentials of Investments, 9th Edition, by Zvi Bodie, Alex Kane, Alan J. Marcus

The market leading undergraduate investments textbook, Essentials of Investments, 9e by Bodie, Kane, and Marcus, emphasizes asset allocation while presenting the practical applications of investment theory. The authors have eliminated unnecessary mathematical detail and concentrate on the intuition and insights that will be useful to practitioners throughout their careers as new ideas and challenges emerge from the financial marketplace. The Ninth Edition includes increased attention to changes in market structure and trading technology, while continuing to be organized around one basic theme - that security markets are nearly efficient.

  • Sales Rank: #7487 in Books
  • Brand: Brand: McGraw-Hill/Irwin
  • Published on: 2012-09-25
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.00" h x 1.20" w x 8.80" l, 4.00 pounds
  • Binding: Hardcover
  • 800 pages
Features
  • Used Book in Good Condition

Most helpful customer reviews

13 of 13 people found the following review helpful.
Good Text but the example vs. problems difficulty disparity is HUGE
By C. Baker
So, I've taken 2 classes using this textbook and run into the same problem with both classes and the textbook. (Note: the two teachers had very different approaches to using the text and so I waited to write the review to see if it changed my opinion). Regardless of how heavily the teacher relied on the text for the foundation of their lectures or how much work we did that mirrored the problems for the homework, ultimately when the homework problems came the examples in the text of each chapter weren't close to complicated enough for the problems in the homework at the end of the chapter. It was difficult because these teachers didn't utilize the online resource available. So, if there is a class you're about to take that uses this book, do everything you can to get the teacher to use online (the interactive site where they have problems you can work through) from the publisher....it will be the difference in success and frustration. Otherwise, get online and find somewhere to rent/purchase the solutions manual for the most recent edition---the problems aren't that different and it provides a base to work from when your teacher may not be accessible.

12 of 12 people found the following review helpful.
fine book - paper back way cheaper
By dan
Like many of you, I didn't really have the option to not buy the book. I thought it was well written, and fairly easy to follow. It is some fairly challenging material. If you haven't noticed there is a paper back edition of this book which is kinda difficult to fine on amazon. Same title and edition but doesn't have all the same authors listed in the amazon listing (even though it is the same). It costs about 1/5th as much as the hard cover book. Here is a link to the paperback edition Essentials of Investments

18 of 21 people found the following review helpful.
Knowing your subject and knowing how to teach it are different things
By Daniel J. Warme
The authors no doubt know Investment analysis. Unfortunately they don't communicate that information too well. Frequently happens when Phd's forget they are writing to students, not other Phd's. Bought this book for a senior level finance course, required to complete my major in finance.

Even my Prof. started the course with, "the textbook is difficult to read but just follow my notes and you should do ok". Not too good of an endorsement for a textbook. Now, after completing the course, I am searching for another text on the subject to keep as a reference. Even after the lectures, this book's explinations of the same topics are difficult to follow.

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Sabtu, 13 April 2013

[F104.Ebook] Download Old English Grammar, by Alistair Campbell

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Old English Grammar, by Alistair Campbell

Old English Grammar

  • Sales Rank: #2675797 in Books
  • Published on: 1983-10-06
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .77" w x 5.50" l, 1.00 pounds
  • Binding: Paperback
  • 440 pages

About the Author
Alistair Campbell is at the University of Bristol.

Most helpful customer reviews

7 of 7 people found the following review helpful.
Grammar reference for serious students of OE
By SaraM
Any graduate student who is seriously interested in studying and learning the grammatical intricacies of the Old English language should have a copy of this text among his/her reference works. It is only a grammar text and there are no reading selections but the information on OE grammar is detailed and fully indexed.

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Rabu, 10 April 2013

[H988.Ebook] PDF Download Animals and Women: Feminist Theoretical ExplorationsFrom Duke University Press Books

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Animals and Women: Feminist Theoretical ExplorationsFrom Duke University Press Books

Animals and Women is a collection of pioneering essays that explores the theoretical connections between feminism and animal defense. Offering a feminist perspective on the status of animals, this unique volume argues persuasively that both the social construction and oppressions of women are inextricably connected to the ways in which we comprehend and abuse other species. Furthermore, it demonstrates that such a focus does not distract from the struggle for women’s rights, but rather contributes to it.
This wide-ranging multidisciplinary anthology presents original material from scholars in a variety of fields, as well as a rare, early article by Virginia Woolf. Exploring the leading edge of the species/gender boundary, it addresses such issues as the relationship between abortion rights and animal rights, the connection between woman-battering and animal abuse, and the speciesist basis for much sexist language. Also considered are the ways in which animals have been regarded by science, literature, and the environmentalist movement. A striking meditation on women and wolves is presented, as is an examination of sexual harassment and the taxonomy of hunters and hunting. Finally, this compelling collection suggests that the subordination and degradation of women is a prototype for other forms of abuse, and that to deny this connection is to participate in the continued mistreatment of animals and women.

  • Sales Rank: #6805199 in Books
  • Published on: 1995-11-14
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.75" h x 6.50" w x 1.50" l, 1.85 pounds
  • Binding: Hardcover
  • 392 pages

Review
"This is an outstanding collection. The authors write expertly on the surprisingly intimate relation between attitudes toward animals and women in our culture. From reading their work on pornography, the treatment of ‘laboratory’ animals, hunting, wife-beating, and factory farming I have learned a tremendous amount. This superbly edited volume makes an important contribution to the cause of animal and human liberation." (Jane Tompkins, Duke University)

From the Back Cover
"This is an outstanding collection. The authors write expertly on the surprisingly intimate relation between attitudes toward animals and women in our culture. From reading their work on pornography, the treatment of 'laboratory' animals, hunting, wife-beating, and factory farming I have learned a tremendous amount. This superbly edited volume makes an important contribution to the cause of animal and human liberation."--Jane Tompkins, Duke University

About the Author

Carol J. Adams is a writer and a professional consultant on issues of sexual harassment and sexual violence. She is the author of several books, including The Sexual Politics of Meat and, most recently, Neither Man nor Beast.

Josephine Donovan is Professor of English at the University of Maine, Orono. She is the author of many books, including Feminist Theory and the editor of Feminist Literary Criticism.

Most helpful customer reviews

6 of 6 people found the following review helpful.
Let's look at the words we use.
By Beverly J. Stevens
This book is eye-opening. If we call a woman a pig, are be being verbally abusive to the woman, the pig, or both? The book helps us understand the psycological roots of violence: violence and male dominance (i.e., the spiritual hunter). The author draws many correlations throughout the book. This is not a quick read for the thinking person but an excellent study in human thought, words, and actions throughout our society, relating to women. Whether or not we agree with what is written here, we will certainly give it some thought.

0 of 0 people found the following review helpful.
the best anthology on the subject currently available
By Kassey
Simply put, the best anthology on the subject currently available.

0 of 6 people found the following review helpful.
Prompt shipping
By L. Hughes
Shipping was prompt and condition was fair. I do not remember any mention of notes being written in the margins on the description of this book. I am quite happy with them in any case but would want to be aware beforehand.

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Sabtu, 06 April 2013

[N272.Ebook] Get Free Ebook Terrorist, by John Updike

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Terrorist, by John Updike

The ever-surprising John Updike’s twenty-second novel is a brilliant contemporary fiction that will surely be counted as one of his most powerful. It tells of eighteen-year-old Ahmad Ashmawy Mulloy and his devotion to Allah and the words of the Holy Qur’an, as expounded to him by a local mosque’s imam. The son of a bohemian Irish-American mother and an Egyptian father who disappeared when he was three, Ahmad turned to Islam at the age of eleven. He feels his faith threatened by the materialistic, hedonistic society he sees around him in the slumping factory town of New Prospect, in northern New Jersey. Neither the world-weary, depressed guidance counselor at Central High School, Jack Levy, nor Ahmad’s mischievously seductive black classmate, Joryleen Grant, succeeds in diverting the boy from what his religion calls the Straight Path. When he finds employment in a furniture store owned by a family of recently immigrated Lebanese, the threads of a plot gather around him, with reverberations that rouse the Department of Homeland Security. But to quote the Qur’an: Of those who plot is God the best.

  • Sales Rank: #9036287 in Books
  • Published on: 2015-09-22
  • Formats: Audiobook, CD, Unabridged
  • Original language: English
  • Number of items: 9
  • Dimensions: 5.00" h x .80" w x 6.00" l,
  • Running time: 10 Hours
  • Binding: Audio CD

From Publishers Weekly
Updike's latest offers up a probing post-9/11 history lesson on America—its mythology and street realities, religious attitudes, and the myriad nationalities that have borne this country fruit. Lane has his work cut out, and for the most part delivers. He contends with multiple foreign accents and American dialects, not to mention gospel singing and Arabic recitations of the Koran. The tale follows a righteous Muslim teenager named Ahmad, an (Irish-Arab) American born and bred in northern New Jersey, and his seemingly inevitable journey toward a domestic suicide attack. Ahmad's Irish mother, Jewish guidance counselor and Lebanese employer/handler are all rendered with distinction by Lane. But Ahmad's accent is odd and hard to trace, almost seeming to contain a Dixie influence. Lane voices an African-American schoolmate in similar style, creating the potential for confusion when the two interact. Phone calls, snippets of TV shows, speeches and sermons are treated with a through-a-speaker effect that is sometimes disconcerting. But it doesn't detract from a generally rich audio experience, one built on diverse narration and ethnically sprawling storytelling.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Bookmarks Magazine
Not only does John Updike write tales of suburban angst; he also has a long history of ruminating on faith. Critics compare his latest novel to In the Beauty of the Lilies and The Coup except that Terrorist has an intensely contemporary flare. It's almost scandalous to see one of America's literary lions toying with such an inflammatory topic—and in the guise of a thriller, no less. The litmus test of his success with Terrorist is whether he answers the central question: What drives someone to become a terrorist? Terrorist is exceedingly well researched, and Updike writes beautifully. Still, many reviewers criticize Updike for creating Ahmad as a puppet rather than a character. That a puppet is exactly what his Imam wishes him to be begs the question whether Ahmad is a successful creation or just a thin caricature.

Copyright © 2004 Phillips & Nelson Media, Inc.

From Booklist
*Starred Review* Updike is never static; over the course of his long career, he has not only mastered various literary forms but also tackled a wide variety of subjects as material for his fiction. His new novel, swift, sinewy, and stylish, represents another big leap. In the hands of a lesser writer, such a risky topic and premise easily could have come across as presumptuous. Ahmad, an 18-year-old high school student, is the son of an Irish American mother and an Egyptian father. He has taken up the Islamic faith of his father so completely that he is obsessed with distancing himself from the unclean infidel, which is how he views the New Jersey community in which he lives. The high-school guidance counselor, who attempts to steer young Ahmad in a direction he feels is more suitable and productive, is a compelling and oddly attractive supporting character, who, as it turns out, plays a vital role in a deadly plot into which Ahmad tumbles like the naive, easily manipulated adolescent he is. This marvelous novel can be accurately labeled as a 9/11 novel, but it deserves also the label of masterpiece for its carefully nuanced building up of the psychology of those who traffic in terrorism. Timely and topical, poised and passionate, it is a high mark in Updike's career. Brad Hooper
Copyright © American Library Association. All rights reserved

Most helpful customer reviews

104 of 114 people found the following review helpful.
A qualified "thumbs up"
By B. McEwan
This is a tough call, but on the whole I am giving this novel 4 stars because it successfully held my attention, got me engaged in trying to understand the characters' motives and is beautifully written. Having said that, I want to acknowledge that many of the criticisms leveled here by other Amazon reviewers do have merit, primarily the charge that Updike's characters are often stereotypical. Of interest to me is that, while many reviewers complained about the stereotypes of fat wives, Arab-Americans and single mothers, I didn't notice any comments on the characters of African-American school girl Joryleen and her boyfriend, who is named "Tylenol," of all things. But in any case, since the stereotype issues have been well covered by other reviewers, I'm going to let that go and focus on what I see as the positives of this novel, and there really are quite a few.

For one thing, I like the fact that Updike chose this very difficult topic to write about and also made obvious efforts to understand aspects of Islamic-American culture that are doubtless utterly foreign to him. An author of his standing could just coast for the rest of his career, but this writer chose to stretch himself and try to get inside the mind of a character that represents a far more complex America than that of Rabbit, for example. This is an America that we had all better take a shot at understanding, since this is the one we are living in today, and will have to go on living in for some time to come. Believers in Islam are here and they are becoming an ever more important force in the polyglot US -- AND it is pretty clear that many of these folks are severely disaffected from the mainstream culture. *If* this alienation tends to encourage violent actions, then those of us who are of the so-called "majority" culture had better spend some time trying to understand why that is, and think about how we can help these new US residents succeed here. (That's a big IF, since it seems perfectly plausible to me that cultural alienation does not lead to "homegrown" terrorism at all. But for the purposes of this review, I am assuming that it could.)

Another positive of this novel is that it is beautifully written and highly evocative of place. The place happens to be a depressingly urbanized New Jersey, so it's easy to miss the power of Updike's descriptions, but consider this passage: "...the sky cloudless but for a puffy far scatter over Long Island, the ozone at the zenith so intense it seems a smooth-walled pit of blue fire, the accumulated towers of lower Manhattan a single gleaming mass, speedboats purring and sailboats tilting in the bay, the cries and conversation of the tourist crowd making a dapple of harmless sound around them. 'This beauty,' Ahmad thinks 'must mean something -- a hint from Allah, a foreshadow of Paradise.'

As for the criticism that Updike is anti-American and using the character of Ahmad to voice his own complaints, I counter by saying that it's important for us Americans to be more self-reflective than we may find comfortable, and that Updike is contributing something useful by raising important moral and ethical challenges to our behavior as a nation in the world. Take for example this line from pp. 198-9 of the novel: "[True adherents] believe that a billion followers of Islam need not have their eyes and ears and souls corrupted by the poisonous entertainments of Hollywood and a ruthless economic imperialism whose Christian-Jewish God is a decrepit idol, a mere mask concealing the despair of atheists."

Granted, that is powerful stuff and certainly discomfiting. But if one reads any of the world's press at all, it is pretty clear that this is the image that many people have of America, and the challenge Updike's characters are presenting in this novel seem to me to be worth considering. What sort of response shall we give to a comment like the above? How observant of our religious principles are the majority of us here in the US, and what about the economic fallout of our national trade and security policies? I am not saying that I agree with the assessments of the characters in this novel, nor do I necessarily think we should assume Updike does. But it is a view that we might at least consider if we hope to come to peaceable terms with the billions of Muslims who are solid citizens of this and the world's other nations, and who have no hostile intentions.

So, for me, the bottom line on Terrorist is that it's an important book that raises difficult questions that ought to be given some serious thought. We should be glad that Updike chose to write it.

62 of 72 people found the following review helpful.
Good but doesn't quite live up to its promise
By Galen K. Valentine
Updike's, "Terrorist" is a timely novel. Newspapers and magazines are still full of the ebb and flow of terrorist and counter-terrorist operations. It is difficult for me, and by extension I think of American society in general, to understand why anyone would choose to become a suicide-bomber. Though they are only a fraction of the terrorists they are the most puzzling. So, I bought Updike's latest book on the strength of his reputation as a novelist and the reviews claiming his understanding of the radical mindset.

On the surface the story is about a teenager, Ahmed, who embraces an austere form of Islam. His mother, perhaps feeling guilty about his father's departure, leaves him to his own devices. An intervention is clearly necessary to save Ahmed from his Imam and Updike chooses Mr. Levy, a sixtyish guidance counselor at Ahmed's high school. The story's trajectory predictably puts Ahmed and Mr. Levy together in the truck carrying the bomb.

Scratch the surface though and you find...well, read on.

Ahmed is largely unforgiving, except, illogically, to the father who abandoned him. He is unapologetic, never needing to justify his beliefs to others or even to himself. His isolation and social awkwardness are not the product of his own attitudes, but of everyone else's. In almost every way, Ahmed acts like any teenager, if a bit more radical. And that is the problem. Remove the radical Islamic element from the novel and you have a story of a generic teenager. If Updike is saying that suicide-bombers are just like "ordinary" people, with the same problems and fears, I think he missed the boat. There clearly is a difference. If there weren't, then suicide-bombers would be far more prevalent. What I had hoped for was a deeper understanding of why an Islamist would choose to commit suicide in a manner that kills as many other people as possible. Failing that, I would have liked to understand why Ahmed as an individual would make such a choice; his social problems aren't enough since so many other children of broken families face the same issues without making such a gruesome decision. I got neither.

The story is structured to propel Ahmed, and by extension the reader, toward his violent final act - exit stage left. But we are robbed of even that. Surprise endings aren't bad. I like them. But only when they result in that, "Aha!" moment when all of the pieces fall together. This wasn't one of them. I felt blind-sided and left wondering just what the point of the book was.

It might seem that I hated the book. I didn't. There were moments when I felt that Updike had looked into the soul of America and understood it. The scenes devoted to Mr. Levy and his wife are masterful. I just felt that he hadn't delivered on the promise of the book.

Updike was, and still is, considered one of the premiere voices of American society. But, "Terrorist" showed me that he hasn't quite mastered the subtleties of another culture. In the final analysis, I'm not sure Updike understands suicide-bombers anymore than I do. He does put a more human face on them. And his writing is superb. In that respect, "Terrorist" is worth reading. But don't expect to gain a deeper insight into terrorism.

13 of 13 people found the following review helpful.
Just a little disappointing
By Amazon Customer
A long time ago, I read a criticism of John Updike that said something to the effect that he observes life by stepping out his front door and looking around for a while and then going back in and writing. This is why, when Updike ventures farther afield than his usual subject -- white, middle class, protestant, New Englanders and their relationships -- his voice often falters.

"Terrorist" joins other works like Brazil, S., and The Coup, where Updike attempts to go outside of his comfort zone and explore something a little different. The problem with "Terrorist" is that he is obviously uncomfortable.

First, there are too many different characters and plot lines in the book, almost as though Updike had planned to write a much longer book, or a book from a different point of view than the one he ultimately chose. The menagerie of personalities forces him to develop a contrived (not very believable) set of circumstances that bring all of the characters together for an ending that is less suspenseful, as some critics have indicated, than it is abrupt and tidy.

One character, Hermione, is an assistant to the director of the Department of Homeland Security. Her character isn't explored and exists solely for the convenience of the denouement.

The character of Ahmad, the main character and the most fleshed out, is complex. Updike teases the reader with insight into the conflicted psyche of this devout Muslim who was raised by a Catholic mother in the United States. But it is only a tease. Updike's conception of Muslim devotion tastes too intellectual, too textbook. It is a sympathetic conception, but still one that seems to be lacking.

That isn't to say there aren't redeeming qualities. The prose is classic Updike, flowery sometimes, dark sometimes, always introspective, and always trying to understand why people make bad decisions.

I've read others call "Terrorist" chilling, and I have to disagree. "Chilling" would describe the book I wish Updike had written, the one where, through a strong focus on Ahmad, we see an innocent devotion slowly and methodically corrupted by those who would wage war in the name of God. There is a hint of that here; those who corrupt Ahmad are obviously more about manipulation than about devotion. Unfortunately, the manipulation happens so quickly as to be superficial.

This is not Updike at his best, but it isn't his worst either. I just wish his editor had told him to take six more months to tighten things up.

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Jumat, 05 April 2013

[I753.Ebook] Ebook Download Confronting Change, Challenging Tradition: Woman in Latin American History (Jaguar Books on Latin America), by Gertrude M. Yeager

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Confronting Change, Challenging Tradition: Woman in Latin American History (Jaguar Books on Latin America), by Gertrude M. Yeager

Understanding the role of women in Latin American history demands a full examination of their activities in the region's political, economic, and domestic spheres. Toward this end, historian Gertrude M. Yeager has assembled the multidisciplinary collection Confronting Change, Challenging Tradition.

The essays in this volume explore the ways in which Latin American women have shaped-and have been shaped by-the traditional practices and ideologies of their cultures. The selections are arranged in two sections: Culture and the Status of Women, and Reconstructing the Past.

  • Sales Rank: #1857844 in Books
  • Published on: 1997-08-01
  • Released on: 1997-08-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.96" h x .78" w x 6.28" l, .84 pounds
  • Binding: Paperback
  • 264 pages

Review
A fascinating collection of readings on culture, history, and gender. Playing on the complex relationship between perceptions of women and women's perceptions, Yeager draws from a wide variety of materials to help us understand female roles in nineteenth- and twentieth-century Latin America. (Susan M. Socolow)

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[E443.Ebook] PDF Ebook Japanese Soul Cooking: Ramen, Tonkatsu, Tempura, and More from the Streets and Kitchens of Tokyo and Beyond, by Tadashi Ono, Harris Salat

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Japanese Soul Cooking: Ramen, Tonkatsu, Tempura, and More from the Streets and Kitchens of Tokyo and Beyond, by Tadashi Ono, Harris Salat

A collection of more than 100 recipes that introduces Japanese comfort food to American home cooks, exploring new ingredients, techniques, and the surprising origins of popular dishes like gyoza and tempura. 

Move over, sushi.

It’s time for gyoza, curry, tonkatsu, and furai. These icons of Japanese comfort food cooking are the dishes you’ll find in every kitchen and street corner hole-in-the-wall restaurant in Japan—the hearty, flavor-packed dishes that everyone in Japan, from school kids to grandmas, craves.

In Japanese Soul Cooking, Tadashi Ono and Harris Salat introduce you to this irresistible, homey style of cooking. As you explore the range of exciting, satisfying fare, you may recognize some familiar favorites, such as ramen, soba, udon, and tempura. Others are lesser known Japanese classics—such as wafu pasta (spaghetti with bold, fragrant toppings like miso meat sauce), tatsuta-age (fried chicken marinated in garlic, ginger, and other Japanese seasonings), and savory omelets with crabmeat and shiitake mushrooms—that will instantly become standards in your kitchen as well. With foolproof instructions and step-by-step photographs, you’ll soon be knocking out chahan fried rice, mentaiko spaghetti, saikoro steak, and more for friends and family.

Ono and Salat’s fascinating exploration of the surprising origins and global influences behind popular dishes is accompanied by rich location photography that captures the energy and essence of this food in everyday Japanese life, bringing beloved Japanese comfort food to Western home cooks for the first time.

  • Sales Rank: #11846 in Books
  • Brand: Brand: Ten Speed Press
  • Published on: 2013-11-05
  • Released on: 2013-11-05
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.30" h x 1.00" w x 7.62" l, 1.95 pounds
  • Binding: Hardcover
  • 256 pages
Features
  • Used Book in Good Condition

Amazon.com Review
Featured Recipes from Japanese Soul Cooking Download the recipe for Classic Tonkatsu Download the recipes for Japanese-Style Tartar Sauce and Tomato Salada   Download the recipe for Vegetable Tempura Download the recipe for Kitsune Udon

Review
“This is the book on Japanese cooking I have been waiting for without knowing it! Tadashi and Harris have compiled a wonderful collection of recipes that veers sharply from the mysterious and lofty world of sushi and kaiseki and lands smack dab in the home kitchen, telling a great story of foreign culinary traditions colliding with traditional Japanese technique along the way.”
—Andy Ricker, chef-owner of Pok Pok

 “Sushi? Bah! Japanese food is so much more than raw fish, and this book is a joyful (and useful!) exploration of the earthy, fatty, meaty, rib-sticking, lip-smacking fare—the noodles and curries and deep-fried delights—that millions of Japanese depend on every day. I get hungry just thinking about it.”
—Matt Gross, editor, BonAppetit.com

“Tadashi Ono and Harris Salat bring to mouthwatering life a fascinating story: how Western influences opened up a nation’s taste buds and created a new Japanese cuisine of modern comfort food classics. Anyone obsessed with a steaming bowl of ramen, light-as-air tempura, or the perfect gyoza will find that there’s all that—and more—right here, just waiting to be cooked and devoured."
—Joe Yonan, author of Eat Your Vegetables and food and travel editor of the Washington Post

About the Author
TADASHI ONO is a Japanese chef and author based in New York City. He has been featured in the New York Times, Gourmet, and Food & Wine.
 
HAARIS SALAT's stories about food and culture have appeared in the New York Times, Saveur, and Gourmet. In 2012, Salat opened the Japanese comfort food restaurant Ganso in Brooklyn (gansonyc.com). He is the author, with Takashi Yagihashi, of Takashi’s Noodles.
 
Together, Ono and Salat are the authors of Japanese Hot Pots and The Japanese Grill.

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66 of 68 people found the following review helpful.
His most personable and approachable cookbook yet; a book with loads of possibilities!
By I Do The Speed Limit
I was a bit intimidated by his first book "Japanese Hot Pots", and less so by his second book "The Japanese Grill", but I did finally get a grip on both of them--and I enjoy using both those cookbooks. So, of course, this one drew my attention. The fact that I find this new "Soul Cooking" personable and approachable, may be because I have become comfortable with many Japanese terms and ingredients because I use his first two books frequently. But I really think it is because Tadashi Ono is a fun guy--and his personality comes shining through in this third book. I think he's finally come into his "own": His own way of teaching, writing and doing.

I think he's always been aware of how the Western world influenced Japanese cuisine and culture , from the mid 1800's when foreigners began arriving in Japan, to during and after World War II. But I also think he had to get real comfortable with his place in the scheme of things to write about it. You know, you can't really talk about "soul" and "comfort" until you have a firm handle on what surrounds it. Well, Tadashi has ID'd it beautifully in this book: The book itself is fun and somewhat of a history lesson; the recipes are do-able and they appeal to a "Western" taste, (after all, the dishes were influenced by Western tastes); you can find the ingredients (fairly easily, or with internet help), and the recipes are not complicated.

In many cases, you can take short-cuts and buy the condiments needed to pull the dish together, or you can take the advice of Tadashi and make your own with the recipes he has provided. I'm not saying that I will use all the chapters in this book, because I don't do much tempura or other fried foods--my kitchen exhaust system is just not set up for it. But there is some much more in this book that I highly recommend it, both as a great compilation of recipes and as a significant and fascinating history lesson, complete with great pictures.

Each chapter focuses on a different dish. You learn how it began (usually as a restaurant offering), then how it grew to become popular in home kitchens. Tadashi takes apart each dish (like tempura, ramen, curry, gyoza, etc.), explains how it came to be, then helps you create it from scratch. He provides all kinds of variations. If you follow through each chapter carefully, by the end of the chapter, you should have a firm handle on how to make it--that is how well Tadashi teaches. As you proceed through the chapters, you will also find recipes for the sauces and condiments necessary to complete the dish.

YOU CAN STOP READING HERE, as I think I've conveyed the fact that this book warrants a five-star rating, but I include more info below in case you are still undecided about the book:

To help you with some possibly unfamiliar terms: Most of us know ramen, curry, tempura, soba and udon, and I won't describe those chapters further. But let me try to describe some of the other chapters:
--Gyoza are dumplings and you will learn to make several varieties and to cook them by in an easy frying and steaming process. In this chapter you will also find a miso dipping sauce and rayu, a flavored chili oil. You will learn how to freeze them and use them in soup.
--The curry chapter is loaded with recipes and contains one called "Battleship Curry" that was served to servicemen on board ship.
--Tonkatsu is a deep-fried panko crusted cutlet or ground meat patty.
--Furai and Korokke: Furai is deep-fried panko seafood and veggies, and Korokke is a deep-fried "croquette" of chopped up meat, seafood or veggies. This chapter also contains all the sauces to go with these fried foods.
--Kara-age is a deep-fry technique imported from China. It differs from tempura in that the food is dredged in flour or potato starch, not the light batter of tempura.
--Okonomiyaki: Now we're talkin'! These are pancakes, and I'm really happy to have this chapter firmly in hand and under control and in my repertoire. These pancakes are both light-weight (in their "base" of flour/dashi/cabbage, etc.) and heavy-weight in all the toppings. They are accomplished on a griddle or in a heavy fry pan. (They are a lot of fun!) Yakisoba are included in this chapter. They have a base of ramen noodles.
--Donburi: Tadashi calls donburi the "ultimate dish for busy people". It is a one-bowl dish of almost any kind of ingredient heaped on a big bowl of rice and served with miso soup and pickles. A trip through this chapter will leave your mind churning with possibilities.
--Itame and Chahan: Itame means stir-fried or sauteed. Chahan is fried rice, Japanese-style.
--Yoshoku is Western-style cooking and the recipes in this chapter are Japanese takes on European and American dishes. You will find gratins, potato and macaroni salad, omelets, steak, hamburger, spaghetti and other pasta.

So, you can see there are plenty of chapters to spur your imagination. And it is truly interesting to see the Western influence. And one more tidbit of information: It may not matter to you, but it did to me: Joe Yonan, one of my favorite cookbook authors and the food and travel editor of Washington Post recommends this book on its back cover.

43 of 44 people found the following review helpful.
Wonderfully presented guide and cookbook to 'real' Japanese cuisine
By Sibelius
Really liked this book for its atypical focus away from the more rarefied aspects of Japanese cuisines (eg - sushi, kaiseki, etc) and instead cataloging 'everyday' Japanese comfort cuisine, the dishes eaten by all strata of the populace from within the cozy confines of their homes to quick, no frills street eateries. If you've spent some time in Japan sampling such fare or have any shred of interest in better understanding the essence of real Japanese cuisine this book is certainly a fantastic starting guide for you.

Things I really liked:
+Comprehensive and well laid out catalog of Japanese comfort food categories ranging from Curry to Okonomiyaki and the little-known (outside of Japan) but essential aspects of 'Yoshoku' dishes.
+Recipes are very well presented with an average difficulty level (ranging from 1-5) at about '2.' Techniques are well explained and the only thing that will really hold back the average home cook is access to certain ingredients and first hand tasting knowledge to serve as your reference basis.
+Each of the 13 chapters is organized by specific food type. For example, Chapter 1 = 'Ramen.' Within each chapter is a nice scattering of anecdote and background information about the dishes. These elements were perhaps the most interesting and entertaining portions of the book.
+Whether or not you actually cook any of the recipes, merely by skimming through the book you'll gain a solid understanding of everyday Japanese meals and if you ever make it out there for a visit will have solid knowledge of what various restaurants serve and what people actually eat at home.
+Layouts and photographs are well done. Each page is very attractively designed.

Could've been better:
+While I enjoyed the quality of the photographs my chief complaint is that the book needs more. Approximately 30% of each recipe has an accompanying photograph - too low in my opinion.

42 of 44 people found the following review helpful.
Simple, doable, and delicious
By Vanessa Macaraig
I moved to Fiji after spending five years in Japan and I sorely missed ramen, kara-age, okonomiyaki, and yoshoku (Japanized western dishes). When I saw this cookbook, I doubted I would be able to make any of them here because of my lack of access to foreign ingredients. A few shops carry Japanese soy sauce (Kikkoman), sake, and mirin, but I couldn't find most of the ingredients listed by the cookbooks I bought in Japan. This wasn't the case with "Japanese Soul Cooking": because it's written for a foreign audience, it makes do with the most basic Japanese ingredients and even teaches how to make some condiments like Tonkatsu sauce from scratch. And because one of the authors is a Japanese chef, the recipes live up to my memory of the comfort food I enjoyed in Tokyo, Osaka, Nagoya, and Hiroshima. And the best part is, they're not complicated at all: I was able to make three recipes from this book in just one week (they were all hits, by the way, especially the Nagoya Tebasaki). I'd recommend this to those who are missing authentic Japanese soul food, no matter where they are (as long as they have access to soy sauce, sake, mirin, miso, and dashi, they're all set).

Here's what you can make with this cookbook: Ramen (Shoyu, Miso, and Shio Ramen, among others), Gyoza (includes recipes for homemade rayu & miso dipping sauce), Curry (without the boxed roux!), Tonkatsu (with recipes for panko & tonkatsu sauce, Furai & Korokke (plus how to make Japanese-style tartar sauce and salads), Kara-age (with a recipe for homemade ponzu), Tempura (with step-by-step pictures for making the batter), Okonomiyaki (both Osaka and Hiroshima styles, plus takoyaki and yakisoba), Donburi (nine variations of pure comfort), Soba (hot & cold dishes), Udon (wide range from classics to a modern cold version with fresh tomatoes), Itame & Chahan (stir-fries and fried rice), and Yoshoku (gratins, steaks, and pasta).

Highly recommended. Hats off to the authors!

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