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The Unlikely Disciple: A Sinner's Semester at America's Holiest University, by Kevin Roose

No drinking.
No smoking.
No cursing.
No dancing.
No R-rated movies.

Kevin Roose wasn't used to rules like these. As a sophomore at Brown University, he spent his days drinking fair-trade coffee, singing in an a cappella group, and fitting right in with Brown's free-spirited, ultra-liberal student body. But when Roose leaves his Ivy League confines to spend a semester at Liberty University, a conservative Baptist school in Lynchburg, Virginia, obedience is no longer optional.

Liberty is the late Reverend Jerry Falwell's "Bible Boot Camp" for young evangelicals, his training ground for the next generation of America's Religious Right. Liberty's ten thousand undergraduates take courses like Evangelism 101, hear from guest speakers like Sean Hannity and Karl Rove, and follow a forty-six-page code of conduct that regulates every aspect of their social lives. Hoping to connect with his evangelical peers, Roose decides to enroll at Liberty as a new transfer student, leaping across the God Divide and chronicling his adventures in this daring report from the front lines of America's culture war.

His journey takes him from an evangelical hip-hop concert to choir practice at Falwell's legendary Thomas Road Baptist Church. He experiments with prayer, participates in a spring break mission trip to Daytona Beach (where he learns to preach the gospel to partying coeds), and pays a visit to Every Man's Battle, an on-campus support group for chronic masturbators. He meets pastors' kids, closet doubters, Christian rebels, and conducts what would be the last print interview of Rev. Falwell's life.

Hilarious and heartwarming, respectful and thought-provoking, THE UNLIKELY DISCIPLE will inspire and entertain believers and nonbelievers alike.

  • Sales Rank: #84033 in Audible
  • Published on: 2010-06-03
  • Format: Unabridged
  • Original language: English
  • Running time: 700 minutes

From Publishers Weekly
In what could be described as religious gonzo journalism, Roose documents his experiences as a student for a semester at Liberty University, the largest Christian fundamentalist university in the United States. Coming from progressive Brown University, the author admits that the transition to Liberty, with its iron-clad attempts at controlling student behavior, came with much anxiety. He trains himself to control his foul language and even begins to pray and study the Bible regularly, much to the bewilderment of his liberal Quaker parents. He suffers his way through a course debunking evolution, but finds enjoyment in a Scripture class. Roose may be young—he's a 19-year-old college sophomore—but he writes like a seasoned veteran and obviously enjoys his work. He quickly makes friends at Liberty, but is naïvely stunned and not a little disgusted by their antigay rhetoric. School founder Rev. Jerry Falwell granted Roose an interview for the student newspaper shortly before the famous evangelical's death in May 2007. "Complicated" is how Roose describes Falwell, which is a good descriptor for his undercover student experience. (Mar.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
Brown University student Roose didn’t think of himself as being particularly religious, yet he conceived the novel idea of enrolling at Liberty University, the school Jerry Falwell built, thereby transferring from a school “a notch or two above Sodom and Gomorrah” to the evangelical equivalent of Notre Dame or Brigham Young. His reasons were logical, though curious. To him, a semester at Liberty was like studying abroad. “Here, right in my time zone, was a culture more foreign to me than any European capital.” He tells his story entertainingly, as a matter of trying to blend in and not draw too much attention to himself. One hardened habit he had to break was cursing; he even bought a Christian self-help book to tame his tongue. Throughout his time at Liberty, he stayed level-headed, nuanced, keenly observant. He meant to find some gray in the black-and-white world of evangelicalism, and he learned a few things. His stint at Liberty hardly changed the world but did alter his way at looking at it. That’s a start. --June Sawyers

Review
"Hallelujah for Kevin Roose. This is a remarkable book. He takes us on a fascinating, funny, nuanced journey that doesn't condescend or make glib judgments. It's just what the culture wars need. If I didn't already have kids, I'd adopt Kevin."

--A.J. Jacobs, New York Times bestselling author of The Year Of Living Biblically


"What happens when a Brown undergrad goes undercover at Liberty University? If he's a writer as insightful and open-minded as Kevin Roose, he ends up learning as much about himself as he does about the evangelical Christians he lives with. The Unlikely Disciple provides a funny, compassionate, and revealing look at Jerry Falwell's 'Bible Boot Camp,' and the surprisingly diverse band of true believers who make it their home."

--Tom Perrotta, New York Times bestselling author of Little Children and The Abstinence Teacher

"Kevin Roose has produced a textured, intelligent, even sympathetic, account of his semester at Liberty University. He eschews caricature and the cheap shot in favor of keen observation and trenchant analysis. THE UNLIKELY DISCIPLE is a book of uncommon wisdom and insight. I recommend it with enthusiasm."

--The Rev. Dr. Randall Balmer, Episcopal Priest and Professor of American Religious History at Barnard College, Columbia University

"[Kevin] tells his story entertainingly...level-headed, nuanced, keenly observant."
--Booklist

"Kevin Roose is a delightful writer, and this is a humane book. Read it and I predict you'll have less paranoia, more exposure to 'the other,' and a larger dose of Roose's generous and hopeful faith."
--Brian McLaren, author of A New Kind of Christian, A Generous Orthodoxy, and Everything Must Change

"Keenly observed, funny, and compassionate. Kevin Roose parachutes us into a seldom-glimpsed and little understood pocket of America, then guides us through a story of religion and country more resonant than any of us could have imagined."
--Robert Kurson, New York Times bestselling author of Shadow Divers and Crashing Through


"This is a brilliant book. Absolutely brilliant. Roose's wisdom, humanity, and love kept me going. And I laughed. A lot."
-- Rob Bell, founding pastor of Mars Hill Bible Church and bestselling author of Velvet Elvis and Sex God

Most helpful customer reviews

5 of 5 people found the following review helpful.
A Humanizing Portrait of the Christian Right
By Daniel Bastian
Paging through Kevin Roose's experiences in Evangelicalville was like a trip down memory lane. While I did not attend Liberty University, I was reared in an identical culture, where fundamentalist attitudes reigned supreme. Where preservation of dogma was paramount. Where absolutist certainty was all but demanded and gray areas of belief decried as a warning sign of pending spiritual failure. Where words like evolution, Darwin, the Big Bang and even science itself were considered evil and subversive. Where being a Christian also meant voting conservative.

Yes, this is an environment with which I'm all too familiar. Thankfully, I did not end up spending my college years at what Roose dubs in his subtitle "America's Holiest University". I know several who did, however, and I can say unreservedly that Roose's portrait in The Unlikely Disciple is not in the least a misrepresentation or caricature. If anything, it's too balanced, and that's quite an accomplishment for someone emigrating from Brown University.

How does someone raised in a secular family and enrolled in an Ivy League institution end up transplanting himself to its antithesis in nearly every major respect? The early outlines of the idea formed while interning for A. J. Jacobs on Jacobs' book The Year of Living Biblically. Roose realized that there is a subculture in America with whom he had never really interfaced: the religious right. You hear about them all the time on the news and in satirical send-ups by liberal media, but there's a difference between drawing your verdict from secondhand voices on the one hand and first-person experience on the other. He decided that going incognito to live among them, immersing himself in their inner society, would be an effective way to bridge the gap. And who knows--maybe his story could change how each side views the other and help moderate the bickering to an acceptable volume.

Much to his family's chagrin, Roose's application was accepted and he took his academic pursuits south of the Mason-Dixon line to Liberty University--the bastion of evangelicalism itself. At the time, the school belonged to Jerry Falwell, the same incendiary televangelist-cum-segregationist who campaigned against MLK, Jr. in the 1950s and 60s, who blamed 9/11 on feminists, abortionists, gays, pagans and the ACLU, and who frequently referred to AIDS as "God's punishment for the society that tolerates homosexuals." With the Falwell era in full bloom, Roose found himself in what could properly be labeled the epicenter of Christian fundamentalism, a mini-kingdom dedicated to churning out warriors for God who could defend the values of the Christian right against an encroaching secular-liberal hegemony. This was no Brown. Putting up a credible facade around his new ultra-religious classmates would not be easy.

If culture shock was on the agenda, he certainly came to the right place. Draconian injunctions against R-rated films and all physical contact with the opposite sex (outside of hand-holding); weekly Bible studies, daily prayer sessions and omnipresent invocations of Jesus fever; courses that felt less like education than Christian apologetics, more sermonic and indoctrinational than didactic; surplus doses of Adam-and-Eve-based "science", homophobia-ridden expletives and rhetoric laden with allusions to hell. It's all here, and having been an insider for so long I can only imagine how alien Liberty must have felt to an observer outside the fold.

A lesser individual might have treated this as a faultfinding mission to be spun into an acerbic exposé on the backwardness of conservative Christianity. Roose chooses the higher road. Far from the minimally participative bystander, he invests his time in all of the extracurricular activities his schedule can accommodate. He befriends members of his Bible study and carries on late-night discussions with his hallmates. He goes on dates with chaste Christian girls. He joins the choir at Thomas Road Baptist Church and proselytizes spring-breakers on Floridian beaches. He even meets with a spiritual mentor once a week in which his masturbation habits tend to come up with irregular frequency. You know, normal college stuff, minus the Jesus-stuffed diet.

While Roose came mentally equipped for the fervorous religiosity, his semester away wasn't without its surprises. Like any school, one can find a diversity of views strolling the halls, and Liberty is no exception. Roose encounters several students during his time there who don't fit the mold Liberty has prepared for them: feminists, a small but closeted gay community, students who find creationism incoherent at best, who stubbornly refuse to toe the 'climate change is a global hoax' party line, who aren't militantly homophobic and don't believe same-sex attraction is morally suspect, and who sincerely question the values and political dispositions of the university's leadership. His exchanges with these nonconformists were enlightening and will be appreciated by those exploring a more progressive faith.

THE STRUCTURE OF FUNDAMENTALISM

Offensive, comical and rebarbative all at the same time, many may wonder how such a community can survive under the duress of modernity. As a former evangelical with a foot in both sides of the pond, I know the mentality well. More than anything else, institutions like Liberty are interested in the doctrinaire attachment to an ideology. Their dogma is a thinly veiled version of Christian dominionism. Any information deemed in conflict with said dogma is viscerally suppressed; inconvenient facts are pushed aside and only addressed once they become too difficult to ignore. Fundamentalist communities are so arranged as to propagate internal views at the expense of external ones. Within the propagandistic bubble, only views consistent with the dogma are given any weight. Its members are fastened, often without a weighing of alternatives, to a system that valorizes ignorance and trammels free thought. They are not aware that they are 'suckers' bred on intellectual deprivation, any more than fish are aware of the oxygen outside the fishbowl.

This basic schematic maps well to several pockets of Christian fundamentalism and churches dotting the American landscape, even if its application to today's Liberty loses some precision. Towards the end of the book, Roose learns through his continued communications with Liberty students that the school has grown a bit more lax in the ideology department following Falwell's departure. Given the extreme contrast between the late reverend's views and those of mainstream America, we can only hope this was inevitable.

CLOSING THOUGHTS

Possibly the defining introspective work of our generation, Roose's sojourn turned memoir is an honest, transparent, balanced look into a cultural divide that seems more unbridgeable by the year. His stay at Liberty was attended by no shortage of disheartening revelations, including run-ins with narrow views on sexual ethics, gender and race, rampant (faculty-encouraged) homophobia, and distortions of inconvenient science, sentiments deeply rooted in American culture and for which Liberty is but an emblem. But contrary to what might be expected from its gimmicky-sounding premise, Roose doesn't spend the length of the book razzing de-intellectualized Bible-belters who max out on the Christian Richter scale. Roose stepped into the shoes of an evangelical to learn about their beliefs, values and traditions, and came away with so much more. He found that on the surface there is much that separates the evangelical community from the rest of American society, but scratch below that surface and you find a lot more commonality than polarizing media profiles would suggest.

This is easily one of the best books I've ever read, perhaps because it hits so close to home. Roose's closing words in the epilogue continue to resonate with me.

"At the end of the day, the two sides of this culture war still have glaring differences, and those differences are likely to continue to define the relationship between the evangelical community and America at large for decades to come. Humans have always quarreled over religious beliefs, and I suppose they always will. But judging from my post-Liberty experience, this particular conflict isn't built around a hundred-foot brick wall. If anything, it's built around a flimsy piece of cardboard, held in place on both sides by paranoia and lack of exposure. It's there, no doubt, but it's hardly forbidding. And more important, it's hardly soundproof. Religious conflict might be a basic human instinct, but I have faith, now more than ever before, that we can subvert that instinct for long enough to listen to each other." (p. 315)

4 of 4 people found the following review helpful.
One of my favorite memoirs!
By WestMetroMommy
This is a re-read for me--I had originally read it, on the recommendation of an Agnostic friend--back in 2009 when it was first published. This year, I suggested it for my book club as our March selection.

This book was born out of another book--My Year of Living Biblically by A.J. Jacobs. In that book, Jacobs takes on a "slave" as part of his Biblical experience. The 21st century American translation for "slave" is apparently "unpaid college intern" and Kevin Roose, as freshman at Brown University, fit that bill. As part of his slave duties, Roose accompanied Jacobs on a research trip to Liberty Univeristy in Lynchburg, TN where, while waiting for Jacobs to conclude an interview or something, Roose first makes contact with "the other side."

I have to start with a very notable thing about this book: it is one of the few books that I enjoyed more the second time I read it--and, to be fair, I enjoyed it quite a bit the first time I read it. I don't know if it the 5 added years in maturity caused this, or the fact that I didn't have to cut through the initial shock factor to get to the meat of the book that caused this phenomenon. Whatever it is, I'm not complaining.

I will say that I could relate to a lot of this. I did not attend Liberty, but I did attend a school (the College of William and Mary) with a large evangelical presence. Coming from the Pacific Northwest, this was a sector of the population that I had had very little contact with until going to college. As a Christian (mainline Protestant), I had a number of things in common with these people--more than Roose did when he embarked on his experiement--but there was still a bit of a chasm between us. I am still in touch with some of my evangelical friends from school and I am glad that they were part of my college experience.

My head is still spinning from the fact that Roose was in college when he wrote this. When I was his age, I was still trying to decide on a major and here he is, writing a book. I guess that summer of slavery was good for him.

But, anyway, back to the book. I adored this book--one thing I have never been able to truly understand is the divisions within Christianity. I mean, I get that we have different ways of expressing out faith, but the idea of you have to do this and this and this to be saved is just beyond me. Last time I checked, we were saved by God's Grace (yeah, I'm a Lutheran). I think that Roose was actually quite brave to try to at least understand this divide by going into the Lion's Den of American Evangelicalism.

One thing that caught me this reading that I didn't pick up on the first time I read this book is the question of ethics. I mean, Roose is pulling off a great deception here and is pulling others--his classmates and hallmates--unknowingly into the deception with him. While this is something to think about--and it should be thought about while reading this book--I found it to be a part of the book and not a detriment to the book. Roose, himself, questions his ethics during his Liberty experience.

Roose is a very gifted writer. This could have been a comedic book or it could have been overly academic. It was neither--it was an entertaining, thought provoking account of someone who chose to learn about a foreign culture (one that was a 12 hour drive away).

I will say this: I think different readers will have different reactions to this book depending on their own views. I can see how some might find it cynical and others might find it insulting and others might find it preachy. However, I can't base my own feelings on how others might feel and, in the end, this has become on of my favorite memoirs.

1 of 1 people found the following review helpful.
An Excellent View Into An Evangelical Subculture
By Philip
I was originally hesitant in picking up this book. After all, the premise is based in a sort of deception research; representing oneself as something one is not. That said, it's one of the best amateur ethnographic works I've had the pleasure of reading. Kevin Roose is helping a professor on a project when he goes to Thomas Road Baptist Church, run by the late Jerry Falwell, and while there he speaks with three young people...or rather, he attempts to. He realizes just how big the "God Divide" can be, when it seems they're speaking separate languages. The idea begins to fester within him, and soon, this Ivy League student is on his way to one of America's strictest Evangelical universities.

Had I read this book while I was still a Baptist, I probably would have been downright offended at points, but that's because it's easy to be defensive when someone points out a negative thing. However, Roose's outside view of Evangelical life and subculture provide an interesting look that people within the movement most likely don't think of. A friend gets him ready by putting him through basic Bible boot camp and by loaning him her Veggietales DVDs. Anyone who has grown up in this generation in the Evangelical subculture automatically gets that reference and can understand how it was useful to him in preparing.

From singing in a choir, to the dilemma of what to do when you fall in love while living a lie, to having to reveal your secret after returning to Brown, this book never lets up a nonstop pace of the challenges of living within a subculture outside of one's own. It also gives those of us who are Christians an idea of how those outside the faith might see us. Tellingly, it takes Roose a while to find people who are arguing about the ACLU and when a gay friend from his secular school visits, he fits right in with the Evangelical students.

If this book were to be summed up in a single word, it would be "complexity". The students at Liberty are a diverse and complex bunch of people, no two exactly alike, and very few conforming to the stereotypes the author expected. The professors were a wide ranging group from a sarcastic Creationist who kept insisting he was a real scientist to the pastor who tried to "cure" gay students (not out of hate, Roose reflects, but out of a genuine if misplaced love and pity) with counseling. Even Jerry Falwell, Roose notes, upon the famous televangelist's death, was a complicated man; a prankster to those around him, a grandfather and father that doted, a demigod to some of the students, and a man who believed every volatile thing he was saying.

Roose finds himself sometimes longing for what his fellow students have spiritually, but in the end, he stays himself. In fact, this is one of the most poignant parts of the book, as his admission of the truth to his Liberty friends elicits heartbreak from many that he isn't Saved. But otherwise, they treat him no differently, because he's still "Rooster" and their friend. If you want a good look at what it's like to live within America's Evangelical Subculture, then this book is well worth the price.

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The Night Sun Tarot, by Fabio Listrani

Enter into artist Fabio Listrani’s rendering of the dance between the dark and the light, and begin a compelling journey into the realm of esoteric wisdom. Regardless of your level of occult knowledge, this deck will touch your soul and provide enlightening perspectives on the restless waters of the inner self. Filled with bold energy, rich art, and the passion of history’s spiritual seekers, The Night Sun Tarot reflects the teachings of Aleister Crowley and the great occult masters.

  • Sales Rank: #76631 in Books
  • Published on: 2015-01-08
  • Original language: English
  • Number of items: 1
  • Dimensions: 4.80" h x 1.20" w x 2.70" l, .52 pounds
  • Binding: Cards
  • 78 pages

About the Author

Since 1987, Art Publisher Lo Scarabeo has published over 100 Tarot decks that have been acclaimed all over the world for originality and quality. Only the best Italian and International artists are selected for our new decks, and the result is that Lo Scarabeo's decks are all recognizable as an exceptional artistic value.

Tradition
One of Lo Scarabeo's goals is the preservation of traditional Tarot decks.

Development
New decks and ideas are continually gathered from all over the world. This allows Lo Scarabeo to produce some of the most innovative decks available today.

Quality
Lo Scarabeo is committed to ever increasing quality and beauty of their products.

Distribution
*Llewellyn is the exclusive distributor of Lo Scarabeo products in North America.

Most helpful customer reviews

39 of 39 people found the following review helpful.
Beautiful
By Nicole Morragan
This deck is part RWS, part Thoth, part Deviant Moon. It is part feminist, part masculine. This is a great study deck, as it includes the creator/authors own take on Numerology, and includes Astrological and Hebraic references. The images are dark, but not scary. The base cards are part pip and part illustrated. This is a deck worth studying and taking head on.

26 of 27 people found the following review helpful.
The artwork looks beautiful at first glance
By Daniel Goldberg
The artwork looks beautiful at first glance, but the graphics seem more obviously CG upon closer inspection due to the harsh lighting/rendering; the figures almost seem like stock Poser figures and the shader that was used on skin could do with a bit of work. Also, the name on my High Priestess card has a typo -- it is misspelled "High Priestness", with an 'n', so anyone concerned with perfection might be a bit put off by that.

20 of 20 people found the following review helpful.
I try to speak logically and rationally with most things ...
By Amazon Customer
I try to speak logically and rationally with most things, but I find that difficult with tarot. That said, I felt a strong pull towards this deck, which was gifted to me. It has worked well for me, giving consistent, clear readings for the past year. The cards are well-made, durable enough to withstand frequent use, and the designs carry high amounts of symbolism that help with the meanings. However, everyone is different, and it is possible that this deck will not work well for you. Be aware before purchase that this deck does contain heavy amounts of symbolism and is not the easiest to learn for beginning tarot users.

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Senin, 18 Oktober 2010

[N711.Ebook] Ebook Free The Lonely City: Adventures in the Art of Being Alone, by Olivia Laing

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The Lonely City: Adventures in the Art of Being Alone, by Olivia Laing

A dazzling work of memoir, biography and cultural criticism on the subject of loneliness, told through the lives of six iconic artists, by the acclaimed author of The Trip to Echo Spring.

What does it mean to be lonely? How do we live, if we're not intimately engaged with another human being? How do we connect with other people? Does technology draw us closer together or trap us behind screens?

When Olivia Laing moved to New York City in her mid-thirties, she found herself inhabiting loneliness on a daily basis. Increasingly fascinated by this most shameful of experiences, she began to explore the lonely city by way of art. Moving fluidly between works and lives - from Edward Hopper's Nighthawks to Andy Warhol's Time Capsules, from Henry Darger's hoarding to David Wojnarowicz's AIDS activism - Laing conducts an electric, dazzling investigation into what it means to be alone.

Humane, provocative and deeply moving, The Lonely City is about the spaces between people and the things that draw them together, about sexuality, mortality and the magical possibilities of art. It's a celebration of a strange and lovely state, adrift from the larger continent of human experience, but intrinsic to the very act of being alive.

  • Sales Rank: #14357 in Books
  • Published on: 2016-03-01
  • Released on: 2016-03-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.52" h x 1.29" w x 5.78" l, .0 pounds
  • Binding: Hardcover
  • 336 pages

Review

"A beautiful meander of a book"―Hanya Yanagihara, The New Yorker

"Olivia Laing, in her new book, The Lonely City, picks up the topic of painful urban isolation and sets it down in many smart and oddly consoling places. She makes the topic her own . . . Perhaps the best praise I can give this book is to concur with Ms. Laing’s dedication: 'If you’re lonely, this one’s for you.'"―Dwight Garner, The New York Times

"This book serves as both provocation and comfort, a secular prayer for those who are alone―meaning all of us."―The New York Times Book Review

"One of the finest writers of the new non-fiction . . . compelling and original."―Harper's Bazaar

"An uncommonly observant hybrid of memoir, history and cultural criticism . . . a book of extraordinary compassion and insight.”―San Francisco Chronicle

"Laing is an astute and consistently surprising culture critic who deeply identifies with her subjects' vulnerabilities . . . absolutely one of a kind."―Maureen Corrigan, NPR's Fresh Air

"It's not easy to pull off switching between criticism and confession―and like Echo Spring, The Lonely City is an impressive and beguiling combination of autobiography and biography, a balancing act that Laing effortlessly performs. Her gift as a critic is her ability to imaginatively sympathize with her subject in a way that allows the art and life of the artist to go on radiating meaning after the book is closed."―Elle

"A lovely thing. Exceptionally skillful at changing gears, Ms. Laing moves fluently between memoir, biography (not just of her principal cast but of a large supporting one), art criticism and the fruits of her immersion in ‘loneliness studies' . . . She writes about Darger and the rest with insight and empathy and about herself with a refreshing lack of exhibitionism . . . Every page of The Lonely City exudes a disarming, deep-down fondness for humanity.”―The Wall Street Journal

"Laing’s prose is elegant and concise, with a breath of Joan Didion . . . In its interdisciplinary scope and mix of culture, theory, and memoir, The Lonely City brings to mind other nonfiction hits of recent years, books like Maggie Nelson’s The Argonauts or Leslie Jamison’s The Empathy Exams."―The Millions

“The Lonely City bristles with heart-piercing wisdom... It's a ghostly blueprint of urban loneliness―an emotion that Laing calls ‘a city in itself’―that reminds us how loneliness can sometimes bring us together.”―Jason Heller, NPR

“Laing’s meditation gradually gathers force into a manifesto, taking aim at the assumption of simple, unknowable 'mental illness' to explain the life and creative work of the outsider artist Henry Darger or of Solanas―or of Warhol, for that matte...Without glamorizing either loneliness or the urban decay of New York in the ’70s, The Lonely City builds an impassioned case for difficulty and difference, for social rebellion and the unpredictable artistic richness that can result."―The Washington Post

“Laing, who used group biography to examine the connections between alcoholism and literature in The Trip to Echo Spring, here performs an almost magical trick: Reminding us of how it feels to be lonely, this book gently affirms our connectedness.”―The Boston Globe

"Laing is always circling back toward a piercingly relevant observation. And, oh, those observations! . . . Laing is a great critic, not least because she understands that art can and often does manifest multiple conflicting meanings and desires at once."―Laura Miller, Slate

"Laing writes with a compassion and curiosity rarely seen in any genre . . . Although I read The Lonely City in the same urban spaces that usually impart a familiar loneliness―loud cafés, quiet apartments and slow trains choked with strangers―I felt different while reading it . . . Something surprising happened, something Laing most likely intended"―The Rumpus

"A singular, fiercely candid and rare book."―The Buffalo News

“[An] acute, nervy and personal investigation into urban solitude . . . [Laing] writes with lyrical clarity, empathy, and a knack for taking a wandering, edgy path, stretching themes (and genres), while never losing an underlying urgency . . . A group biography all in one, which takes a difficult, almost taboo, subject and deftly turns it over anew.”―New Statesman

"Luminously wise and deeply compassionate, The Lonely City is a fierce and essential work. Laing is a masterful biographer, memoirist and critic. Fearlessly tracing the roots of loneliness, its forbidding consequences, and its complicated and beautiful relationship with art, it is powerful, poignant and magical. Reading it made my heart ache yet filled me with hope for the world."―Helen Macdonald, author of H is for Hawk

“[An] imaginative and poignant quest . . . Through her ardent research, empathetic response, original thought, courageous candor, and exquisite language, Laing joins the ever-growing pool of writers―among them Ta-Nehisi Coates, Hope Jahren, Jhumpa Lahiri, Leslie Jamison, Helen Macdonald, Sally Mann, Patti Smith, Tracy K. Smith, Edmund de Waal, and Terry Tempest Williams―who are transforming memoir into a daring and dynamic literary form of discovery that laces the stories of individuals into the continuum of humanity and the larger web of life on Earth to provocative and transforming effect.”―Booklist (starred review)

“By focusing on four artists . . . Laing’s writing becomes expansive, exploring their biographies, sharing art analysis, and weaving in observations from periods of desolation that was at times 'cold as ice and clear as glass.' She invents new ways to consider how isolation plays into art or even the Internet (which turns her into an obsessed teenager, albeit one who calls the screen her 'cathected silver lover'). For once, loneliness becomes a place worth lingering.”―Publishers Weekly

"[An] absorbing melding of memoir, biography, art essay, and philosophical meditation . . . [An] illuminating, enriching book."―Kirkus Reviews

"A remarkable combination of personal mediation and psychological and artistic inquiry, The Lonely City is always superbly written, fascinating and often sharply moving. Ultimately the book has a paradoxical effect: at the same time as it makes one aware of one's own inescapable solitude, it leaves one feeling less alone."―Adam Foulds, author of In the Wolf's Mouth

“An extraordinary more-than-memoir; a sort of memoir-plus-plus, partway between Helen MacDonald’s H Is for Hawk and the diary of Virginia Woolf; a lyrical account of wading through a period of self-expatriation, both physical and psychological, in which Laing paints an intimate portrait of loneliness.... TheLonely City is a layered and endlessly rewarding book, among the finest I have ever read.”
- Maria Popova, Brain Pickings

About the Author
OLIVIA LAING is a writer and critic. Her first book, To the River, was published by Canongate in the U.K. to wide acclaim and shortlisted for the Ondaatje Prize and the Dolman Travel Book of the Year. She has been the deputy books editor of the Observer, and writes for the Guardian, New Statesman, and Granta, among other publications. She is a MacDowell and Yaddo Fellow, and the 2014 Writer in Residence at the British Library. Her critically acclaimed book, The Trip to Echo Spring: On Writers and Drinking, is published by Picador.

Most helpful customer reviews

0 of 0 people found the following review helpful.
One of the best books I've read in awhile
By luna
One of the best books I've read in awhile. While relating her own "condition" of loneliness in the city, exposing, but not valorizing, her vulnerability, she does not dwell there - she seeks out the experiences of others - 20th century artists of the city - and allows her curiosity, not only to connect with/to others, thus somewhat assuaging her own loneliness, but also to empathize with and value such experiences - considering the usefulness - sometimes - of loneliness in the creation of art and action. Her "readings" of very different artists like Warhol and Darger are thoughtful and provocative.

30 of 35 people found the following review helpful.
A book on artists in NYC
By Teacher
I heard the author on NPR and I guess I misunderstood the book. It's closer to art history than psychology. You'll learn a lot about Hopper and Warhol but not so much about regular people struggling with loneliness.

1 of 1 people found the following review helpful.
Really amazing writing. I find I am stopping reading just ...
By JLopez
Really amazing writing. I find I am stopping reading just to reread a sentence. Very interesting book.

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Rabu, 13 Oktober 2010

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Dictionnaire Du Rock, Coffret De 3 Volumes, by Michka Assayas

  • Published on: 2000
  • Original language: French
  • Dimensions: 3.15" h x 5.31" w x 7.99" l,
  • Binding: Hardcover

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Selasa, 12 Oktober 2010

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En una gran habitación verde, arropado en su cama, está un conejito. -- Buenas noches, habitación. -- Buenas noches, Luna -- dice el conejito. Y así sucesivamente, le da las buenas noches a todas las cosas que reconoce en su cuarto: al cuadro de los tres ositos sentaditos en sus sillas, a los relojes y a los calcetines, a los gatitos juguetones y a los lindos mitones. En este cuento clásico de la literatura infantil, adorado por generaciones de niños, la poesía que encierra su texto y la ternura de sus bellas ilustraciones con-vierten a éste en un libro ideal para culminar el día.

  • Sales Rank: #2647 in Books
  • Brand: Rayo
  • Published on: 2006-04-11
  • Released on: 2006-04-11
  • Original language: Spanish
  • Number of items: 1
  • Dimensions: 8.50" h x .12" w x 10.00" l, .15 pounds
  • Binding: Paperback
  • 32 pages

From Publishers Weekly
Loyal to the original, this translation has retained the poetic and soothing tone that makes it a favorite read-aloud. It's as popular among Spanish readers as its original always has been among English readers.
Copyright 2001 Reed Business Information, Inc.

Review
"A little rabbit bids goodnight to each familiar thing in his moonlit room. Rhythmic, gently lulling words combined with warm and equally lulling pictures make this beloved classic "an ideal bedtime book."-- "The Christian Science Monitor"

Language Notes
Text: Spanish (translation)
Original Language: English

Most helpful customer reviews

31 of 32 people found the following review helpful.
An excellent translation of a classic children's book
By BJH
I really loved the translation of this classic children's book and read it to my daughters often. The translator was able to capture the sense of the story and make it very readable and enjoyable in Spanish. An excellent goodnight story for anyone reading in Spanish to their little ones!

0 of 0 people found the following review helpful.
This is a great book to be translated in Spanish since is such ...
By LaRita A. Williams
This is a great book to be translated in Spanish since is such a favorite in English. My niece is in a dual immersion program and she started at 4 - she feels very comfortable when we read this book and loves that she knows what's happening and is able to make her own deductions about Spanish word meanings. :-)

0 of 0 people found the following review helpful.
Great book
By M.F.
I liked this book myself as a child and it was nice to find it in Spanish. I can now read it to my baby who I am hoping will appreciate books in Spanish as well as in English.

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Rabu, 06 Oktober 2010

[V966.Ebook] Free PDF League of the Iroquois, by Lewis Henry Morgan

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League of the Iroquois, by Lewis Henry Morgan

League of the Iroquois, by Lewis Henry Morgan



League of the Iroquois, by Lewis Henry Morgan

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League of the Iroquois, by Lewis Henry Morgan

Book on Indians

  • Sales Rank: #3435613 in Books
  • Published on: 1984-03
  • Number of items: 1
  • Binding: Paperback

Most helpful customer reviews

10 of 10 people found the following review helpful.
The beginning of ethnography in America
By ernest schusky
Morgan was a lawyer who became enthralled with the Iroquois as a grown man, as did many other men at the time, when Indians were seen as noble savages. (They would recite Hiawatha at meetings, for example.) He spent as much time as he could with Iroquois elders reconstructing their way of life. He was the first to record and undestand their kinship as part of their matrilineal descent groups or clans which would lead him to research for the Smithsonian on Native American kinship.Systems of consanguinity and affinity of the human family. His book on material culture served as a model for ethnography,Lewis H. Morgan on Iroquois Material Culture but his undestanding of social and political organization was even more important. His experience, plus the influence of Darwin, would lead him to construct the evolution of human society.Ancient society: or, Researches in the lines of human progress from savagery, through barbarism to civilization [ 1877? ] As the title suggsts, Morgan posed three major stages of social evolution, with three divisons in each stage. Savages were food collectors; barbarians were food producers, with civilization culminating in the Western World.
With his experience and all his writing, Morgan became regarded as the founding father of American anthropology, but lacking any students he is considered as an intellectual founder rather than the founder of the discipline, an honor that goes to Franz Boas.A Franz Boas Reader: The Shaping of American Anthropology, 1883-1911 (Midway Reprint)

0 of 0 people found the following review helpful.
Penina Keen Spinka reviews Morgan
By Penina Spinka
There was so much in this culture. I hope you read my (Penina Keen Spinka)'s Norse/Mohawk trilogy. I couldn't have written my novels without this classic study by L.H. Morgan.

29 of 29 people found the following review helpful.
Foundation for Study of the Iroquois League
By Matt Walker
I read this book for my Classic Ethnographies seminar at school. It is by far one of the most interesting ethnographies I have had the pleasure of reading. It combines ethnography with history and gives the reader a good overall view of the Iroquois. I can't recommend this book enough. If you only read one book on the Iroquois, this should be that book!

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