Sabtu, 06 April 2013

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Terrorist, by John Updike

The ever-surprising John Updike’s twenty-second novel is a brilliant contemporary fiction that will surely be counted as one of his most powerful. It tells of eighteen-year-old Ahmad Ashmawy Mulloy and his devotion to Allah and the words of the Holy Qur’an, as expounded to him by a local mosque’s imam. The son of a bohemian Irish-American mother and an Egyptian father who disappeared when he was three, Ahmad turned to Islam at the age of eleven. He feels his faith threatened by the materialistic, hedonistic society he sees around him in the slumping factory town of New Prospect, in northern New Jersey. Neither the world-weary, depressed guidance counselor at Central High School, Jack Levy, nor Ahmad’s mischievously seductive black classmate, Joryleen Grant, succeeds in diverting the boy from what his religion calls the Straight Path. When he finds employment in a furniture store owned by a family of recently immigrated Lebanese, the threads of a plot gather around him, with reverberations that rouse the Department of Homeland Security. But to quote the Qur’an: Of those who plot is God the best.

  • Sales Rank: #9036287 in Books
  • Published on: 2015-09-22
  • Formats: Audiobook, CD, Unabridged
  • Original language: English
  • Number of items: 9
  • Dimensions: 5.00" h x .80" w x 6.00" l,
  • Running time: 10 Hours
  • Binding: Audio CD

From Publishers Weekly
Updike's latest offers up a probing post-9/11 history lesson on America—its mythology and street realities, religious attitudes, and the myriad nationalities that have borne this country fruit. Lane has his work cut out, and for the most part delivers. He contends with multiple foreign accents and American dialects, not to mention gospel singing and Arabic recitations of the Koran. The tale follows a righteous Muslim teenager named Ahmad, an (Irish-Arab) American born and bred in northern New Jersey, and his seemingly inevitable journey toward a domestic suicide attack. Ahmad's Irish mother, Jewish guidance counselor and Lebanese employer/handler are all rendered with distinction by Lane. But Ahmad's accent is odd and hard to trace, almost seeming to contain a Dixie influence. Lane voices an African-American schoolmate in similar style, creating the potential for confusion when the two interact. Phone calls, snippets of TV shows, speeches and sermons are treated with a through-a-speaker effect that is sometimes disconcerting. But it doesn't detract from a generally rich audio experience, one built on diverse narration and ethnically sprawling storytelling.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Bookmarks Magazine
Not only does John Updike write tales of suburban angst; he also has a long history of ruminating on faith. Critics compare his latest novel to In the Beauty of the Lilies and The Coup except that Terrorist has an intensely contemporary flare. It's almost scandalous to see one of America's literary lions toying with such an inflammatory topic—and in the guise of a thriller, no less. The litmus test of his success with Terrorist is whether he answers the central question: What drives someone to become a terrorist? Terrorist is exceedingly well researched, and Updike writes beautifully. Still, many reviewers criticize Updike for creating Ahmad as a puppet rather than a character. That a puppet is exactly what his Imam wishes him to be begs the question whether Ahmad is a successful creation or just a thin caricature.

Copyright © 2004 Phillips & Nelson Media, Inc.

From Booklist
*Starred Review* Updike is never static; over the course of his long career, he has not only mastered various literary forms but also tackled a wide variety of subjects as material for his fiction. His new novel, swift, sinewy, and stylish, represents another big leap. In the hands of a lesser writer, such a risky topic and premise easily could have come across as presumptuous. Ahmad, an 18-year-old high school student, is the son of an Irish American mother and an Egyptian father. He has taken up the Islamic faith of his father so completely that he is obsessed with distancing himself from the unclean infidel, which is how he views the New Jersey community in which he lives. The high-school guidance counselor, who attempts to steer young Ahmad in a direction he feels is more suitable and productive, is a compelling and oddly attractive supporting character, who, as it turns out, plays a vital role in a deadly plot into which Ahmad tumbles like the naive, easily manipulated adolescent he is. This marvelous novel can be accurately labeled as a 9/11 novel, but it deserves also the label of masterpiece for its carefully nuanced building up of the psychology of those who traffic in terrorism. Timely and topical, poised and passionate, it is a high mark in Updike's career. Brad Hooper
Copyright © American Library Association. All rights reserved

Most helpful customer reviews

104 of 114 people found the following review helpful.
A qualified "thumbs up"
By B. McEwan
This is a tough call, but on the whole I am giving this novel 4 stars because it successfully held my attention, got me engaged in trying to understand the characters' motives and is beautifully written. Having said that, I want to acknowledge that many of the criticisms leveled here by other Amazon reviewers do have merit, primarily the charge that Updike's characters are often stereotypical. Of interest to me is that, while many reviewers complained about the stereotypes of fat wives, Arab-Americans and single mothers, I didn't notice any comments on the characters of African-American school girl Joryleen and her boyfriend, who is named "Tylenol," of all things. But in any case, since the stereotype issues have been well covered by other reviewers, I'm going to let that go and focus on what I see as the positives of this novel, and there really are quite a few.

For one thing, I like the fact that Updike chose this very difficult topic to write about and also made obvious efforts to understand aspects of Islamic-American culture that are doubtless utterly foreign to him. An author of his standing could just coast for the rest of his career, but this writer chose to stretch himself and try to get inside the mind of a character that represents a far more complex America than that of Rabbit, for example. This is an America that we had all better take a shot at understanding, since this is the one we are living in today, and will have to go on living in for some time to come. Believers in Islam are here and they are becoming an ever more important force in the polyglot US -- AND it is pretty clear that many of these folks are severely disaffected from the mainstream culture. *If* this alienation tends to encourage violent actions, then those of us who are of the so-called "majority" culture had better spend some time trying to understand why that is, and think about how we can help these new US residents succeed here. (That's a big IF, since it seems perfectly plausible to me that cultural alienation does not lead to "homegrown" terrorism at all. But for the purposes of this review, I am assuming that it could.)

Another positive of this novel is that it is beautifully written and highly evocative of place. The place happens to be a depressingly urbanized New Jersey, so it's easy to miss the power of Updike's descriptions, but consider this passage: "...the sky cloudless but for a puffy far scatter over Long Island, the ozone at the zenith so intense it seems a smooth-walled pit of blue fire, the accumulated towers of lower Manhattan a single gleaming mass, speedboats purring and sailboats tilting in the bay, the cries and conversation of the tourist crowd making a dapple of harmless sound around them. 'This beauty,' Ahmad thinks 'must mean something -- a hint from Allah, a foreshadow of Paradise.'

As for the criticism that Updike is anti-American and using the character of Ahmad to voice his own complaints, I counter by saying that it's important for us Americans to be more self-reflective than we may find comfortable, and that Updike is contributing something useful by raising important moral and ethical challenges to our behavior as a nation in the world. Take for example this line from pp. 198-9 of the novel: "[True adherents] believe that a billion followers of Islam need not have their eyes and ears and souls corrupted by the poisonous entertainments of Hollywood and a ruthless economic imperialism whose Christian-Jewish God is a decrepit idol, a mere mask concealing the despair of atheists."

Granted, that is powerful stuff and certainly discomfiting. But if one reads any of the world's press at all, it is pretty clear that this is the image that many people have of America, and the challenge Updike's characters are presenting in this novel seem to me to be worth considering. What sort of response shall we give to a comment like the above? How observant of our religious principles are the majority of us here in the US, and what about the economic fallout of our national trade and security policies? I am not saying that I agree with the assessments of the characters in this novel, nor do I necessarily think we should assume Updike does. But it is a view that we might at least consider if we hope to come to peaceable terms with the billions of Muslims who are solid citizens of this and the world's other nations, and who have no hostile intentions.

So, for me, the bottom line on Terrorist is that it's an important book that raises difficult questions that ought to be given some serious thought. We should be glad that Updike chose to write it.

62 of 72 people found the following review helpful.
Good but doesn't quite live up to its promise
By Galen K. Valentine
Updike's, "Terrorist" is a timely novel. Newspapers and magazines are still full of the ebb and flow of terrorist and counter-terrorist operations. It is difficult for me, and by extension I think of American society in general, to understand why anyone would choose to become a suicide-bomber. Though they are only a fraction of the terrorists they are the most puzzling. So, I bought Updike's latest book on the strength of his reputation as a novelist and the reviews claiming his understanding of the radical mindset.

On the surface the story is about a teenager, Ahmed, who embraces an austere form of Islam. His mother, perhaps feeling guilty about his father's departure, leaves him to his own devices. An intervention is clearly necessary to save Ahmed from his Imam and Updike chooses Mr. Levy, a sixtyish guidance counselor at Ahmed's high school. The story's trajectory predictably puts Ahmed and Mr. Levy together in the truck carrying the bomb.

Scratch the surface though and you find...well, read on.

Ahmed is largely unforgiving, except, illogically, to the father who abandoned him. He is unapologetic, never needing to justify his beliefs to others or even to himself. His isolation and social awkwardness are not the product of his own attitudes, but of everyone else's. In almost every way, Ahmed acts like any teenager, if a bit more radical. And that is the problem. Remove the radical Islamic element from the novel and you have a story of a generic teenager. If Updike is saying that suicide-bombers are just like "ordinary" people, with the same problems and fears, I think he missed the boat. There clearly is a difference. If there weren't, then suicide-bombers would be far more prevalent. What I had hoped for was a deeper understanding of why an Islamist would choose to commit suicide in a manner that kills as many other people as possible. Failing that, I would have liked to understand why Ahmed as an individual would make such a choice; his social problems aren't enough since so many other children of broken families face the same issues without making such a gruesome decision. I got neither.

The story is structured to propel Ahmed, and by extension the reader, toward his violent final act - exit stage left. But we are robbed of even that. Surprise endings aren't bad. I like them. But only when they result in that, "Aha!" moment when all of the pieces fall together. This wasn't one of them. I felt blind-sided and left wondering just what the point of the book was.

It might seem that I hated the book. I didn't. There were moments when I felt that Updike had looked into the soul of America and understood it. The scenes devoted to Mr. Levy and his wife are masterful. I just felt that he hadn't delivered on the promise of the book.

Updike was, and still is, considered one of the premiere voices of American society. But, "Terrorist" showed me that he hasn't quite mastered the subtleties of another culture. In the final analysis, I'm not sure Updike understands suicide-bombers anymore than I do. He does put a more human face on them. And his writing is superb. In that respect, "Terrorist" is worth reading. But don't expect to gain a deeper insight into terrorism.

13 of 13 people found the following review helpful.
Just a little disappointing
By Amazon Customer
A long time ago, I read a criticism of John Updike that said something to the effect that he observes life by stepping out his front door and looking around for a while and then going back in and writing. This is why, when Updike ventures farther afield than his usual subject -- white, middle class, protestant, New Englanders and their relationships -- his voice often falters.

"Terrorist" joins other works like Brazil, S., and The Coup, where Updike attempts to go outside of his comfort zone and explore something a little different. The problem with "Terrorist" is that he is obviously uncomfortable.

First, there are too many different characters and plot lines in the book, almost as though Updike had planned to write a much longer book, or a book from a different point of view than the one he ultimately chose. The menagerie of personalities forces him to develop a contrived (not very believable) set of circumstances that bring all of the characters together for an ending that is less suspenseful, as some critics have indicated, than it is abrupt and tidy.

One character, Hermione, is an assistant to the director of the Department of Homeland Security. Her character isn't explored and exists solely for the convenience of the denouement.

The character of Ahmad, the main character and the most fleshed out, is complex. Updike teases the reader with insight into the conflicted psyche of this devout Muslim who was raised by a Catholic mother in the United States. But it is only a tease. Updike's conception of Muslim devotion tastes too intellectual, too textbook. It is a sympathetic conception, but still one that seems to be lacking.

That isn't to say there aren't redeeming qualities. The prose is classic Updike, flowery sometimes, dark sometimes, always introspective, and always trying to understand why people make bad decisions.

I've read others call "Terrorist" chilling, and I have to disagree. "Chilling" would describe the book I wish Updike had written, the one where, through a strong focus on Ahmad, we see an innocent devotion slowly and methodically corrupted by those who would wage war in the name of God. There is a hint of that here; those who corrupt Ahmad are obviously more about manipulation than about devotion. Unfortunately, the manipulation happens so quickly as to be superficial.

This is not Updike at his best, but it isn't his worst either. I just wish his editor had told him to take six more months to tighten things up.

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Jumat, 05 April 2013

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Confronting Change, Challenging Tradition: Woman in Latin American History (Jaguar Books on Latin America), by Gertrude M. Yeager

Understanding the role of women in Latin American history demands a full examination of their activities in the region's political, economic, and domestic spheres. Toward this end, historian Gertrude M. Yeager has assembled the multidisciplinary collection Confronting Change, Challenging Tradition.

The essays in this volume explore the ways in which Latin American women have shaped-and have been shaped by-the traditional practices and ideologies of their cultures. The selections are arranged in two sections: Culture and the Status of Women, and Reconstructing the Past.

  • Sales Rank: #1857844 in Books
  • Published on: 1997-08-01
  • Released on: 1997-08-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.96" h x .78" w x 6.28" l, .84 pounds
  • Binding: Paperback
  • 264 pages

Review
A fascinating collection of readings on culture, history, and gender. Playing on the complex relationship between perceptions of women and women's perceptions, Yeager draws from a wide variety of materials to help us understand female roles in nineteenth- and twentieth-century Latin America. (Susan M. Socolow)

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Japanese Soul Cooking: Ramen, Tonkatsu, Tempura, and More from the Streets and Kitchens of Tokyo and Beyond, by Tadashi Ono, Harris Salat

A collection of more than 100 recipes that introduces Japanese comfort food to American home cooks, exploring new ingredients, techniques, and the surprising origins of popular dishes like gyoza and tempura. 

Move over, sushi.

It’s time for gyoza, curry, tonkatsu, and furai. These icons of Japanese comfort food cooking are the dishes you’ll find in every kitchen and street corner hole-in-the-wall restaurant in Japan—the hearty, flavor-packed dishes that everyone in Japan, from school kids to grandmas, craves.

In Japanese Soul Cooking, Tadashi Ono and Harris Salat introduce you to this irresistible, homey style of cooking. As you explore the range of exciting, satisfying fare, you may recognize some familiar favorites, such as ramen, soba, udon, and tempura. Others are lesser known Japanese classics—such as wafu pasta (spaghetti with bold, fragrant toppings like miso meat sauce), tatsuta-age (fried chicken marinated in garlic, ginger, and other Japanese seasonings), and savory omelets with crabmeat and shiitake mushrooms—that will instantly become standards in your kitchen as well. With foolproof instructions and step-by-step photographs, you’ll soon be knocking out chahan fried rice, mentaiko spaghetti, saikoro steak, and more for friends and family.

Ono and Salat’s fascinating exploration of the surprising origins and global influences behind popular dishes is accompanied by rich location photography that captures the energy and essence of this food in everyday Japanese life, bringing beloved Japanese comfort food to Western home cooks for the first time.

  • Sales Rank: #11846 in Books
  • Brand: Brand: Ten Speed Press
  • Published on: 2013-11-05
  • Released on: 2013-11-05
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.30" h x 1.00" w x 7.62" l, 1.95 pounds
  • Binding: Hardcover
  • 256 pages
Features
  • Used Book in Good Condition

Amazon.com Review
Featured Recipes from Japanese Soul Cooking Download the recipe for Classic Tonkatsu Download the recipes for Japanese-Style Tartar Sauce and Tomato Salada   Download the recipe for Vegetable Tempura Download the recipe for Kitsune Udon

Review
“This is the book on Japanese cooking I have been waiting for without knowing it! Tadashi and Harris have compiled a wonderful collection of recipes that veers sharply from the mysterious and lofty world of sushi and kaiseki and lands smack dab in the home kitchen, telling a great story of foreign culinary traditions colliding with traditional Japanese technique along the way.”
—Andy Ricker, chef-owner of Pok Pok

 “Sushi? Bah! Japanese food is so much more than raw fish, and this book is a joyful (and useful!) exploration of the earthy, fatty, meaty, rib-sticking, lip-smacking fare—the noodles and curries and deep-fried delights—that millions of Japanese depend on every day. I get hungry just thinking about it.”
—Matt Gross, editor, BonAppetit.com

“Tadashi Ono and Harris Salat bring to mouthwatering life a fascinating story: how Western influences opened up a nation’s taste buds and created a new Japanese cuisine of modern comfort food classics. Anyone obsessed with a steaming bowl of ramen, light-as-air tempura, or the perfect gyoza will find that there’s all that—and more—right here, just waiting to be cooked and devoured."
—Joe Yonan, author of Eat Your Vegetables and food and travel editor of the Washington Post

About the Author
TADASHI ONO is a Japanese chef and author based in New York City. He has been featured in the New York Times, Gourmet, and Food & Wine.
 
HAARIS SALAT's stories about food and culture have appeared in the New York Times, Saveur, and Gourmet. In 2012, Salat opened the Japanese comfort food restaurant Ganso in Brooklyn (gansonyc.com). He is the author, with Takashi Yagihashi, of Takashi’s Noodles.
 
Together, Ono and Salat are the authors of Japanese Hot Pots and The Japanese Grill.

Most helpful customer reviews

66 of 68 people found the following review helpful.
His most personable and approachable cookbook yet; a book with loads of possibilities!
By I Do The Speed Limit
I was a bit intimidated by his first book "Japanese Hot Pots", and less so by his second book "The Japanese Grill", but I did finally get a grip on both of them--and I enjoy using both those cookbooks. So, of course, this one drew my attention. The fact that I find this new "Soul Cooking" personable and approachable, may be because I have become comfortable with many Japanese terms and ingredients because I use his first two books frequently. But I really think it is because Tadashi Ono is a fun guy--and his personality comes shining through in this third book. I think he's finally come into his "own": His own way of teaching, writing and doing.

I think he's always been aware of how the Western world influenced Japanese cuisine and culture , from the mid 1800's when foreigners began arriving in Japan, to during and after World War II. But I also think he had to get real comfortable with his place in the scheme of things to write about it. You know, you can't really talk about "soul" and "comfort" until you have a firm handle on what surrounds it. Well, Tadashi has ID'd it beautifully in this book: The book itself is fun and somewhat of a history lesson; the recipes are do-able and they appeal to a "Western" taste, (after all, the dishes were influenced by Western tastes); you can find the ingredients (fairly easily, or with internet help), and the recipes are not complicated.

In many cases, you can take short-cuts and buy the condiments needed to pull the dish together, or you can take the advice of Tadashi and make your own with the recipes he has provided. I'm not saying that I will use all the chapters in this book, because I don't do much tempura or other fried foods--my kitchen exhaust system is just not set up for it. But there is some much more in this book that I highly recommend it, both as a great compilation of recipes and as a significant and fascinating history lesson, complete with great pictures.

Each chapter focuses on a different dish. You learn how it began (usually as a restaurant offering), then how it grew to become popular in home kitchens. Tadashi takes apart each dish (like tempura, ramen, curry, gyoza, etc.), explains how it came to be, then helps you create it from scratch. He provides all kinds of variations. If you follow through each chapter carefully, by the end of the chapter, you should have a firm handle on how to make it--that is how well Tadashi teaches. As you proceed through the chapters, you will also find recipes for the sauces and condiments necessary to complete the dish.

YOU CAN STOP READING HERE, as I think I've conveyed the fact that this book warrants a five-star rating, but I include more info below in case you are still undecided about the book:

To help you with some possibly unfamiliar terms: Most of us know ramen, curry, tempura, soba and udon, and I won't describe those chapters further. But let me try to describe some of the other chapters:
--Gyoza are dumplings and you will learn to make several varieties and to cook them by in an easy frying and steaming process. In this chapter you will also find a miso dipping sauce and rayu, a flavored chili oil. You will learn how to freeze them and use them in soup.
--The curry chapter is loaded with recipes and contains one called "Battleship Curry" that was served to servicemen on board ship.
--Tonkatsu is a deep-fried panko crusted cutlet or ground meat patty.
--Furai and Korokke: Furai is deep-fried panko seafood and veggies, and Korokke is a deep-fried "croquette" of chopped up meat, seafood or veggies. This chapter also contains all the sauces to go with these fried foods.
--Kara-age is a deep-fry technique imported from China. It differs from tempura in that the food is dredged in flour or potato starch, not the light batter of tempura.
--Okonomiyaki: Now we're talkin'! These are pancakes, and I'm really happy to have this chapter firmly in hand and under control and in my repertoire. These pancakes are both light-weight (in their "base" of flour/dashi/cabbage, etc.) and heavy-weight in all the toppings. They are accomplished on a griddle or in a heavy fry pan. (They are a lot of fun!) Yakisoba are included in this chapter. They have a base of ramen noodles.
--Donburi: Tadashi calls donburi the "ultimate dish for busy people". It is a one-bowl dish of almost any kind of ingredient heaped on a big bowl of rice and served with miso soup and pickles. A trip through this chapter will leave your mind churning with possibilities.
--Itame and Chahan: Itame means stir-fried or sauteed. Chahan is fried rice, Japanese-style.
--Yoshoku is Western-style cooking and the recipes in this chapter are Japanese takes on European and American dishes. You will find gratins, potato and macaroni salad, omelets, steak, hamburger, spaghetti and other pasta.

So, you can see there are plenty of chapters to spur your imagination. And it is truly interesting to see the Western influence. And one more tidbit of information: It may not matter to you, but it did to me: Joe Yonan, one of my favorite cookbook authors and the food and travel editor of Washington Post recommends this book on its back cover.

43 of 44 people found the following review helpful.
Wonderfully presented guide and cookbook to 'real' Japanese cuisine
By Sibelius
Really liked this book for its atypical focus away from the more rarefied aspects of Japanese cuisines (eg - sushi, kaiseki, etc) and instead cataloging 'everyday' Japanese comfort cuisine, the dishes eaten by all strata of the populace from within the cozy confines of their homes to quick, no frills street eateries. If you've spent some time in Japan sampling such fare or have any shred of interest in better understanding the essence of real Japanese cuisine this book is certainly a fantastic starting guide for you.

Things I really liked:
+Comprehensive and well laid out catalog of Japanese comfort food categories ranging from Curry to Okonomiyaki and the little-known (outside of Japan) but essential aspects of 'Yoshoku' dishes.
+Recipes are very well presented with an average difficulty level (ranging from 1-5) at about '2.' Techniques are well explained and the only thing that will really hold back the average home cook is access to certain ingredients and first hand tasting knowledge to serve as your reference basis.
+Each of the 13 chapters is organized by specific food type. For example, Chapter 1 = 'Ramen.' Within each chapter is a nice scattering of anecdote and background information about the dishes. These elements were perhaps the most interesting and entertaining portions of the book.
+Whether or not you actually cook any of the recipes, merely by skimming through the book you'll gain a solid understanding of everyday Japanese meals and if you ever make it out there for a visit will have solid knowledge of what various restaurants serve and what people actually eat at home.
+Layouts and photographs are well done. Each page is very attractively designed.

Could've been better:
+While I enjoyed the quality of the photographs my chief complaint is that the book needs more. Approximately 30% of each recipe has an accompanying photograph - too low in my opinion.

42 of 44 people found the following review helpful.
Simple, doable, and delicious
By Vanessa Macaraig
I moved to Fiji after spending five years in Japan and I sorely missed ramen, kara-age, okonomiyaki, and yoshoku (Japanized western dishes). When I saw this cookbook, I doubted I would be able to make any of them here because of my lack of access to foreign ingredients. A few shops carry Japanese soy sauce (Kikkoman), sake, and mirin, but I couldn't find most of the ingredients listed by the cookbooks I bought in Japan. This wasn't the case with "Japanese Soul Cooking": because it's written for a foreign audience, it makes do with the most basic Japanese ingredients and even teaches how to make some condiments like Tonkatsu sauce from scratch. And because one of the authors is a Japanese chef, the recipes live up to my memory of the comfort food I enjoyed in Tokyo, Osaka, Nagoya, and Hiroshima. And the best part is, they're not complicated at all: I was able to make three recipes from this book in just one week (they were all hits, by the way, especially the Nagoya Tebasaki). I'd recommend this to those who are missing authentic Japanese soul food, no matter where they are (as long as they have access to soy sauce, sake, mirin, miso, and dashi, they're all set).

Here's what you can make with this cookbook: Ramen (Shoyu, Miso, and Shio Ramen, among others), Gyoza (includes recipes for homemade rayu & miso dipping sauce), Curry (without the boxed roux!), Tonkatsu (with recipes for panko & tonkatsu sauce, Furai & Korokke (plus how to make Japanese-style tartar sauce and salads), Kara-age (with a recipe for homemade ponzu), Tempura (with step-by-step pictures for making the batter), Okonomiyaki (both Osaka and Hiroshima styles, plus takoyaki and yakisoba), Donburi (nine variations of pure comfort), Soba (hot & cold dishes), Udon (wide range from classics to a modern cold version with fresh tomatoes), Itame & Chahan (stir-fries and fried rice), and Yoshoku (gratins, steaks, and pasta).

Highly recommended. Hats off to the authors!

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Applied Pharmacology for Veterinary Technicians, 5e, by Boyce P. Wanamaker DVM  MS, Kathy Massey LVMT

Now in full color, Applied Pharmacology for Veterinary Technicians, 5th Edition shows you how to administer prescribed drugs to animals, calculate drug dosages accurately, and instruct clients about side effects and precautions. Coverage of drug information includes pharmacokinetics, pharmacodynamics, clinical uses, dosage forms, and adverse effects. An Evolve companion website enhances the book with narrated videos demonstrating drug administration techniques, animations of pharmacologic processes, dosage calculation exercises, and much more. Written by veterinary technology experts Boyce Wanamaker and Kathy Lockett Massey, this resource provides the pharmacology knowledge you need to succeed as a vet tech!

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    • Sales Rank: #23583 in Books
    • Published on: 2014-04-10
    • Original language: English
    • Number of items: 1
    • Dimensions: 9.23" h x .84" w x 7.67" l, 2.20 pounds
    • Binding: Paperback
    • 544 pages

    Most helpful customer reviews

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    Electronics: A First Course, 3rd ed, by Owen Bishop

    Electronics: A First Course, 3rd ed, by Owen Bishop



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    Electronics: A First Course, 3rd ed, by Owen Bishop

    Owen Bishop’s First Course starts with the basics of electricity and component types, introducing students to practical work almost straight away. No prior knowledge of electronics is required.

    The approach is student-centred with self-test features to check understanding, including numerous activities suitable for practicals, homework and other assignments. Multiple choice questions are incorporated throughout the text in order to aid student learning. Key facts, formulae and definitions are highlighted to aid revision, and theory is backed up by numerous examples within the book. Each chapter ends with a set of problems that includes exam-style questions, for which numerical answers are provided at the end of the book.

    This text is ideal for a wide range of introductory courses in electronics, technology, physics and engineering. The coverage has been carefully matched to the latest UK syllabuses including GCSE Electronics, GCSE Design & Technology, Engineering GCSE and Edexcel’s BTEC First in Engineering, resulting in a text that meets the needs of students on all Level 2 electronics units and courses.

    Owen Bishop’s talent for introducing the world of electronics has long been a proven fact with his textbooks, professional introductions and popular circuit construction guides being chosen by thousands of students, lecturers and electronics enthusiasts.

    • Sales Rank: #2495191 in Books
    • Published on: 2011-02-14
    • Original language: English
    • Number of items: 1
    • Dimensions: 10.70" h x .60" w x 8.50" l, 1.50 pounds
    • Binding: Paperback
    • 256 pages

    About the Author
    Author of over 70 books, mostly electronic and many in the field of science education. Contributor to numerous electronic magazines such as Everyday Practical Electronics, Elektor Electronics, Electronics Australia and Electronics Today International. Former Science Education Advisor in developing countries as staff member of the British Council and as a part of the UN Educational and Scientific Organisation.

    Most helpful customer reviews

    1 of 1 people found the following review helpful.
    This book provides excellent, clear explanations with a great mix of theory
    By Kimberly Craft
    This book provides excellent, clear explanations with a great mix of theory, math problems and lab applications. The chapters, or topics, are also relatively short and manageable, focusing on one area at a time. This is a wonderful book for a beginner who would still like a thorough and detailed course. Many of the experiments can be done with simple and inexpensive household items, and there are plenty of self tests and quizzes along the way to practice. The book also contains numerous photographs and illustrations, as well as free, supplemental materials and resources available through the publisher's website. American readers should note that this book is written for students in Great Britain, so AC household currents and a few vocabulary terms differ, but not so much that American students would be confused. Although American myself, this is still one of my favorite books on the subject and, in my opinion, one of the best written.

    See all 1 customer reviews...

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