Kamis, 23 Januari 2014

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Oxford Scholarly Classics is a new series that makes available again great academic works from the archives of Oxford University Press. Reissued in uniform series design, the reissues will enable libraries, scholars, and students to gain fresh access to some of the finest scholarship of the last century.

  • Sales Rank: #150656 in Books
  • Published on: 2000-12-07
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.40" h x 1.00" w x 5.50" l, 1.25 pounds
  • Binding: Hardcover
  • 329 pages

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Minggu, 19 Januari 2014

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In 1988 Patrick Modiano stumbled across an ad between the stock market report and a story of a school visit to Marechal Petain in the personal columns of Paris Soir from December 31, 1941: "We are looking for a young girl, Dora Bruder, 15 years old, five feet tall, round face, gray-brown eyes, gray sportscoat, burgundy pullover, navy blue hat and skirt, brown athletic shoes. Send all information to Mr. and Mrs. Bruder, 41, Boulevard Ornano, Paris."
Placed by the parents of a 15-year-old Jewish girl who had run away from her convent school just before New Year's Eve, this ad set Modiano on a quest to find out everything he could about Dora Bruder and why she ran away from the Catholic boarding school that had been hiding her. He found only one other official mention of her name: on a list of Jews deported from Paris to Auschwitz in September 1942.
With no knowledge of Dora Bruder aside from these two records of disappearances, Modiano continued to dig for fragments from Dora's past. What little he found in official records or through remaining family members, Modiano transforms into a meditation on the immense losses of the period--lost people, lost stories, and lost history. As he tries to find connections to Dora, Modiano delivers a moving account of the ten-year investigation that took him back to the sights and sounds of Paris under the Occupation and the paranoia of the Petain regime. In his efforts to exhume her from the past, Modiano realizes that he must come to terms with the specters of his own troubled adolescence. The result is a montage of creative and historical material that unfolds as a moving rumination on loss.

  • Sales Rank: #219218 in Books
  • Brand: Brand: FOLIO
  • Published on: 1999-04-01
  • Original language: French
  • Number of items: 1
  • Dimensions: 6.90" h x .50" w x 4.30" l, .35 pounds
  • Binding: Mass Market Paperback
  • 144 pages
Features
  • Used Book in Good Condition

Review
"An unforgettable eulogy to a previously unknown Holocaust victim."--"Book Magazine

Language Notes
Text: French

About the Author
Patrick Modiano is one of the most celebrated French novelists of his generation. He has collaborated with Louis Malle on the film "Lacombe Lucien" and has written over fifteen novels.

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5 of 5 people found the following review helpful.
The Known and the Unknown
By Roger Brunyate
I really wanted to quote the final paragraph of Modiano's novel, which is infinitely more moving in its simplicity than anything that comes before. But I will desist, and leave it for the reader to discover -- not because it gives away secrets, but because it does the opposite, preserving a secret for all time. It is the one gift he can offer to the tragic subject of his writing, a teenage Jewish girl living in Paris at the time of the German Occupation.

So failing that, let me come upon it obliquely, as Modiano himself does. Near the beginning of his book, the author recalls visiting the hospital of the Salpêtrière in search of his ailing father, whom he had not seen for many years:

"I remember having wandered for hours through the immensity of this vast hospital, looking for him. I went into ancient buildings, passed through wards lined with beds, and questioned nurses who gave me contradictory information. I ended almost doubting my father's very existence as I walked back and forth in front of that majestic church and those unreal buildings, unchanged since the 18th century. They made me think of Manon Lescaut and the time when they served as a prison for prostitutes, under the sinister name of General Hospital, before they were deported to Louisiana. I must have pounded those paved courtyards until dusk. I never saw my father again." [translation mine]

This is paragraph has nothing to do with Modiano's main subject, which is to trace the last months of this girl before her eventual capture. And yet it has everything to do with his motivation and method. It could be said that his entire oeuvre has to do with the search for his father and his failure to find him -- or at least to understand how he could have survived the Occupation as a Jew, unless as a black-marketeer and collaborator with the Germans. His method of inserting himself into the settings of his story, his precise accumulation of detail, his command of the parallels with history and literature, make him into an archaeologist of shame, very much in the manner of WG Sebald, though with documents in place of photographs. The one exception is the winter scene on the cover which sums up the desolate atmosphere of the book in a single shot.*

Like his Prix Goncourt novel, RUE DES BOUTIQUES OBSCURES, but unlike his recently translated trilogy SUSPENDED SENTENCES, I read this in French, and feel it was absolutely essential to do so. Not for Modiano's style, which is direct rather than literary in tone, but the number of original documents he uncovers, whose untranslatable bureaucratic language treats the management of horror as a day's normal business. Modiano's trigger is a mention in a 1941 newspaper that a 15-year-old schoolgirl named Dora Bruder has disappeared. The author knows the area in which her family lived, and revisits the once-familiar streets to soak in the atmosphere. I read with Google Maps zoomed in to various areas of Paris, walking vicariously through the unfamiliar quarters, imagining how they must have felt in 1941. What intrigues him is that Dora's disappearance does not coincide with the round-ups of French Jews, which did not begin until later the following year. So why did she vanish?

Indefatigably, he looks through records, searching for information. And remarkably, he finds a lot. Unlike the other four Modiano books I have read, which work obliquely by mystery and suggestion, this one is almost full-frontal. There is no question what ultimately happened to Dora Bruder, and the details make painful reading. Fact after fact after fact, not revealed in order, but squeezing Dora's life between them as in a slowly closing trap. Soon, there are no secrets left. Except one -- and that is the stroke of poetry that turns this painstaking history into a work of art.

[*I will give more information on this and a couple of other matters in the comments.]

3 of 3 people found the following review helpful.
"Vous aimeriez bien comprendre pourquoi."
By Thomas F. Dillingham
I had not heard of, nor read the work of, Patrick Modiano before the announcement of his Nobel Prize for Literature. Curiosity ensued. My first encounter has been with this curious book (both an odd work and one that explores deeply the nature of human curiosity), a cross between novella and brief, focused memoir. The voice of the narrator lets us know early that a determined search for information about the fate of a young woman, Dora Bruder, identified as being "missing" from her school in Paris, according to a notice posted by her parents in Paris-Soir on December 31, 1941 is to follow. Indeed, the narrative persists in a search through printed records, possible eyewitness sources and whatever else may reveal or bring to light the situation and circumstances of Dora's life after her flight from her school. Early in the work, the narrator states: "Il faut longtemps pour que resurgisse a la lumiere ce qui a ete efface. Des traces subsistent dans des registres et l'on ignore ou ils sont caches et quels gardiens veillent sur eux te si ces gardiens consentiront a vous les montrer. Ou peut-etre ont-ils oublie tout simplement que ces registres existaientt" And he concludes the thought with what might be the governing idea or at least a guiding motto for this narrative, "Il suffit d'un peu de patience." (Please excuse the absence of the proper diacritical marks.)

The narrator mixes details of his own life, both his youth and his recent history, with the details he uncovers and discovers from the various sources about the life (and death) of Dora and, for that matter, of both of her parents and vast numbers of others rounded up and deported to death camps by the occupying Germans.

This powerful exploration of, one might also say meditation upon, the possibilities of ever knowing with certainty what has happened to others, especially in the past, as well as whether what one remembers about oneself is real or accurate, and whether or how one may interpret the "evidence" of photographs, printed records, identity papers, etc., appears to be one of the recurrent themes of Modiano's fiction. It is, perhaps, most precisely focused here (though I will have to read much more of his work to feel confident of this) because he has chosen a specific person who is not personally known to him, but whose fate he nonetheless wishes to establish. In the process, he recovers information about a number of other persons, also deported or otherwise destroyed by the "univers de boucherie et d'apocalypse" that was the European experience during the Second World War.

The narrator reflects on the art of fiction and the use, in classic novels, of coincidence, of the possibility of a kind of prophetic clairvoyance arising in a novelist who expends intense imaginative concentration on events--possibly actual events, possibly those only imagined: "cela fait simplement partie du metier: les efforts d'imagination, necessaires a ce metier, le besoin de fixer son esprit sur des points de detail--et cela de maniere obsessionnelle -- pour ne pas perdre le fil et se laisser a aller a sa paresse -- toute cette tension, cette gymnastique cerebrale peut sans doute provoquer a la longue de breves intuitions "concernant des evenements passes ou futurs" (p. 53). And that is a pretty good description of the narrative procedure of Dora Bruder. It is a fascinating sojourn with the mind of a master detective, a profoundly intuitive and ratiocinative mind, devoted to exploring the nature of human experience in times of extremity. The very nature of human identity--challenged by fear and oppression, forced into disguise and self-denial in the face of threats, transforming the self from a familiar to an alien entity while retaining some degree of consciousness of the necessary deception and the underlying truth--all these are aspects of Modiano's narrative, and all contribute to the emotional and intellectual impact of this wonderful work.

3 of 3 people found the following review helpful.
A Masterpiece
By F. McGavran
Dora Bruder is the story of a teen aged Jewish girl in Paris during the German occupation, who ran away from a Catholic school where she might have been safe. Only a few records and photographs of Dora and her parents survive, all with no reason for her escape, her return to her parents, her subsequent return to the school and her second escape. Shortly afterwards Dora and then her parents were arrested and sent to Auschwitz. Patrick Modiano weaves Dora’s story with his search for the truth about his father, also a Jew, who mysteriously survived arrest himself, possibly because he was working with a criminal organization that was part of the French Gestapo. By compressing the Holocaust into the story of one girl, her family, and his own life and memories, Modiano expresses the horror and compels our compassion and understanding. This is a masterpiece.

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Jumat, 17 Januari 2014

[J544.Ebook] Free Ebook Men against Fire: The Problem of Battle Command in Future War, by S. L. A Marshall

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Men against Fire: The Problem of Battle Command in Future War, by S. L. A Marshall

  • Sales Rank: #10511903 in Books
  • Published on: 1947
  • Binding: Hardcover

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13 of 14 people found the following review helpful.
Very Interesting
By Tom Munro
This is quite an interesting book. It was written by a American Officer who served in Europe and the Pacific as a combat officer in the Second World War. For some reason he researched the fire level of American troops. That is the number of Americans who used their weapons in combat. He did this by speaking to individual soldiers after engagements. He found out the rather startling fact that only 25% of troops fired their weapons. The 25% included all who fired their weapons even if they fired them only once. He found that soldiers who had more responsibility, say those who had been allocated machine guns or anti tank weapons were more inclined to fire and those least inclined to fire were rifle men.
The author discusses these findings in some depth in the military context. His approach is aimed at working out strategies to ensure that in a future combat soldiers will use their weapons more efficiently. However he discusses the issue of why soldiers don't use their weapons at some length. He finds that one of the main reasons is the socialization that people have had in American society and how they are affected by the taboos against killing and violence. He suggests that the failure to shoot was unrelated to cowardice as many of the soldiers who did not shoot were in other respects brave and willing to place themselves in danger.
The author discusses a number of ways of overcoming what he saw as the problem. He was of the view that the major problem relates to the nature of modern battle. In previous wars soldiers have tended to be bunched and close to NCO's or Officers. With the advent of modern weapons most soldiers are isolated from command and their fellows. He noted that both German and Japanese soldiers tended to talk amongst themselves almost constantly in combat situations were as Americans did not. He formed the view that conversation was positive in a number of ways. It allowed individual soldiers to know that there were others around and it also created feelings of obligation and support. The tactic of silence on the other hand meant that soldiers became isolated unaware if others were around and fell quickly into despair. In fact the key seems to be the group dynamics of the soldiers unit. Training cannot turn normal people into cold blooded killers but it can build up a sense of belonging and this will lead to individual soldiers fighting to protect their buddies. This is complex and involves the relation between soldiers and also the relations between officers and those they command. The author suggests that during operations soldiers should be told the locations of the positions they fight over and to some extent their importance. While not suggesting jingoism appeals to their role and duty are important.
During the Second World War military training had been on a fairly old model. That is by repetition to create an automatic reflex of obedience. This method is ancient and derived from the time of Frederick the Great. It was designed to ensure fast fire rates when armies used muskets and stood shoulder to shoulder in battle. The crux of this book is that soldiers trained by this method failed when they were separated from their officers and fellows. It suggests that training should involve high standards of discipline but it should aim at training individual soldiers in such a way that they can cope with taking on individual responsibility.
The book is quite short and it is a very interesting book to read on a number of levels. The first is that it dispels a number of myths about the nature of man. The second is that it is a fascinating study of small scale warfare. One of the more interesting books I have read in some time.

0 of 0 people found the following review helpful.
Five Stars
By kenneth workman
as promised

8 of 10 people found the following review helpful.
Missing the target
By A Customer
The reviewers who confuse the will to fight, destroy, kill. maim the target, your enemy (him/her) miss the point. If you can't hit an area or point target why shoot? It is not necessary to "see" an enemy, "battle drills" teach instinctive, reflex, effective (accurate) fire instantly when attacked. But, even area fire must be accurate (in the area) to be effective. It is accepted doctrine to fire at a window, or base of a tree etc. if that is where the enemy is or is likely to be. The criticism of Marine known distance training vs. "train-fire" (a pre-vietnam term) totally misses the point that you must master your weapon before you move to advanced or combat firing. I speak from the experience of a national match target shooter, marine infantry leader in combat, and review of british, french, and german small arms doctrine as well as training. The totally blind "hosing" of automatic M16(or any other weapon) fire over paddy dikes or around the corner of buildings achieves no effect on the enemy if it isn't hitting where it is intended. Marshall repeatedly points out the fact that men he interviewed felt detached and uninvolved. In many cases they were physically exhausted. Implicit in this "men against fire", and "the soldiers load..." are a number of factors concerning motivation, ferocity and espirit that Marshall only partly addresses. Although he does identify some of the negative influences. In particular his subjects were the US Army and its soldiers, understandable as that was his service and his charter. In particular he points out that direction to fire from leaders was absent. In virtually every case the PFCs, Corporals, Sergeants etc. were not actively leading, directing the rifleman that Marshall interviewed. A fuller understanding of the overall problem would be gained if, at a minimum, one also read "This Kind of War" about Korea. Trying to extrapolate one dreadful incident such as "Blackhawk Down" into a conclusion concerning all small arms marksmanship training/tactics does a dis-service to the actual causes of that disaster and fails to do justice to the seriousness of that particular problem. A very definitive study of the problem of weapons types, firing and effectiveness was done by the British after the failed commando raid on Tobruk in WWII. In essence everyone fired but the weapons mix was wrong. Gaining "fire-superiority" by fighting as a team remains the crux of the problem. The army structure Marshall studied was the squad not the smaller more cohesive fire team or german assault groups of WWI and WWII. On all three of the occassions that I have read men against fire, at various stages of my life, one principal conclusion I have retained is that the conclusions and recommendations lack force and are general. The value of the book is in the documentation of the incidents and the settings and outcome. The conclusions all involve military principals that pre-date gun powder. The goal remains that of insuring the fervent, unwavering belief in the heart/mind of the soldier that it is the enemy who must suffer, be maimed and whose destiny is to die and be destroyed.

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Rabu, 15 Januari 2014

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The Pop Piano BookFrom Hal Leonard

(Piano). This cutting-edge keyboard method is a total step-by-step approach to creating keyboard parts spontaneously. Rhythmic and harmonic concepts are applied in all keys, and are then used as a basis for developing specific solutions in rock, pop, ballad, funk, new age, country and gospel styles. Endorsed by Grammy winners, top educators, and Keyboard magazine.

  • Sales Rank: #173009 in Books
  • Brand: Hal Leonard
  • Published on: 1998-05-01
  • Released on: 1998-11-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 12.00" h x 1.22" w x 9.00" l,
  • Binding: Paperback
  • 512 pages
Features
  • .

Most helpful customer reviews

43 of 43 people found the following review helpful.
Advanced book for popular piano enthusiasts
By A Customer
Keyboardists can use this book as well. The first part details basics (chords, scales, etc) real quickly (I guess experienced users wont need the basics in detail) The second part goes through genres specifically. (pop ballad, rock, r&b, gospel, country etc)
Parts are split up among accompanying and melody leading. A beginner with no background will have no idea how to use this book. It is not a manual, more of a reference book for popular piano styles. Not for beginners, for the experienced. There isn't too much text explaining things. More of it showing and the reader to understand, digest and improvise. So you need some prehand understanding.
Excellent book no doubt.
I do have complaints though. First the binding is terrible. My book's pages started falling apart very quickly. I needed to go to a publisher friend of mine who took it apart and rebinded it for me. I may have had to lose the pretty cover but now it is sturdy. Second the paper is made of somewhat heavy stock making the book itself very large and weighty. I'm sure this contributed to the book falling apart.

44 of 45 people found the following review helpful.
This book has more than meets the eye
By Leib Gershon Mitchell
This could be a very good technique book as well for people who want to learn popular piano if it is read and used carefully.
He has an abundance of technical exercises in rhythm patterns, which is something that cannot be gained from Hanon, the king of technical exercise books.
Many teachers are not very good at teaching popular piano, instead preferring to reinterpret it as classical music (which is not appropriate given its different rhythm patters and key signatures--often less complicated than those in classical). This was written by a man who teaches popular piano and has a very clear idea of the rhythm patterns that make that unique. For example: He makes extensive use of the tie line and syncopation in his examples of R&B, which is what one finds in real music of this genre. But it is very hard to get that type of practice if learning classical songs.
As it has been noted before, the binding for this book sucks. But there are ways to get around that.
Also: This seems to encompass almost everything in other basic theory books that I have read/ own. It has actually obviated my other theory/ rhythm books. It will be a good saving of money to invest in this before any others.
Finally: The book CAN be used by beginners (in tandem with learning some scales) if it is used as he recommends. He says in the opening pages that it was written/ designed to be used by people at myriad levels.

32 of 32 people found the following review helpful.
Just The Book I've Been Looking For...
By Eric Dobson
I have been playing the piano for over 13 years, mostly classical, more recently jazz and pop, but I've never been very pleased with my contemporary piano skills. Most books that teach the techniques of contemporary styles assume the reader has little or no playing background and don't progress very far beyond the basics, clearly not much help for the serious player.

However, The Pop Piano Book is precisely the book I've been looking for!! This book is perfect for the intermediate or advanced player who aspires to be a master of contemporary styles. With this book you can learn how to interpret a song in numerous modern styles, and learn the subtleties that will demonstrate your total understanding and mastery of each style.

The Jazz Piano Book by Mark Levine is my jazz bible, and Mark Harrison's Pop Piano Book has taken a place right beside it as my contemporary piano guide. It is phenomenal!

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Selasa, 14 Januari 2014

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Corporate Valuation Modeling: A Step-by-Step Guide

  • Published on: 1601
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Senin, 13 Januari 2014

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The Snow Child: A Novel, by Eowyn Ivey

Alaska, 1920: a brutal place to homestead, and especially tough for recent arrivals Jack and Mabel. Childless, they are drifting apart--he breaking under the weight of the work of the farm; she crumbling from loneliness and despair. In a moment of levity during the season's first snowfall, they build a child out of snow. The next morning the snow child is gone--but they glimpse a young, blonde-haired girl running through the trees.

This little girl, who calls herself Faina, seems to be a child of the woods. She hunts with a red fox at her side, skims lightly across the snow, and somehow survives alone in the Alaskan wilderness. As Jack and Mabel struggle to understand this child who could have stepped from the pages of a fairy tale, they come to love her as their own daughter. But in this beautiful, violent place things are rarely as they appear, and what they eventually learn about Faina will transform all of them.

  • Sales Rank: #3609 in Books
  • Published on: 2012-11-06
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.25" h x 1.00" w x 5.50" l, .79 pounds
  • Binding: Paperback
  • 389 pages
Features
  • magic snow child haunting fairy tale ending joy

Amazon.com Review
Amazon Best Books of the Month, February 2012: In her haunting, evocative debut Eowyn Ivey stakes her claim on a Russian fairy tale, daring the reader--and the characters--to be lulled into thinking they know the ending. But, as with the Alaskan wilderness, there’s far more here than meets the eye. On the surface it’s the story of a childless pioneer couple running from their East Coast lives and struggling to survive in the harshest of climates while also attempting to reconnect with each other; but it’s also the story of the spring of hope that bubbles out of new friendships, of the slow realization of love for a surrogate child, of the ties between man and nature. Ivey spares no words in describing the beauty and the danger of her native Alaska, bringing the sheer magnitude of the wilderness alive on every page. With the transparent prose of a fairy tale and descriptions to put nature writing to shame, The Snow Child immerses readers in a 1920s Alaska that will draw them back again and again. -- Malissa Kent

Review
"Ivey's prose is beautiful and precise...Magical...As real and mysterious as winter's first snowflake."―Buzzy Jackson, Boston Globe

"The real magic of The Snow Child is that it's never as simple as it seems, never moves exactly in the direction you think it must...Sad as the story often is, with its haunting fairy-tale ending, what I remember best are the scenes of unabashed joy."―Ron Charles, Washington Post

"Full of wonder, longing, hope, pain, and beauty...The Snow Child will keep you frozen in its spell until the very last word."―Sarah Willis, Cleveland Plain Dealer

"Ivey sets up the two most powerful forces in any story: fear on the one hand, potential for the miraculous on the other."―Susan Salter Reynolds, Newsday

"A magical yet brutally realistic tale."―Karen Holt, O, the Oprah Magazine

"Bewitching."―Meganne Fabrega, Minneapolis Star Tribune

"Captivating."―San Francisco Chronicle

"Spellbinding."―Gill Hudson, Reader's Digest

"If Willa Cather and Gabriel Garcia Marquez had collaborated on a book, THE SNOW CHILD would be it. It is a remarkable accomplishment -- a combination of the most delicate, ethereal, fairytale magic and the harsh realities of homesteading in the Alaskan wilderness in 1918. Stunningly conceived, beautifully told, this story has the intricate fragility of a snowflake and the natural honesty of the dirt beneath your feet, the unnerving reality of a dream in the night. It fascinates, it touches the heart. It gallops along even as it takes time to pause at the wonder of life and the world in which we live. And it will stir you up and stay with you for a long, long time."―Robert Goolrick, New York Times bestselling author of A Reliable Wife

"THE SNOW CHILD is enchanting from beginning to end. Ivey breathes life into an old tale and makes it as fresh as the season' s first snow. Simply lovely."―Keith Donohue, New York Times bestselling author of The Stolen Child

"A transporting tale . . . an amazing achievement."―Sena Jeter Naslund, New York Times bestselling author of Ahab's Wife

"THE SNOW CHILD is a vivid story of isolation and hope on the Alaska frontier, a narrative of struggle with the elements and the elemental conflict between one's inner demons and dreams, and the miracle of human connection and community in a spectacular, dangerous world. You will not soon forget this story of learning to accept the gifts that fate and love can bring." ―Robert Morgan, author of Gap Creek

"Eowyn Ivey's exquisite debut transports the reader away to a world almost out of time, into a fairytale destined to both chill and delight. Her portrayal of an untamed Alaska is so detailed you can feel the snowflakes on your own eyelashes, even as her characters' desperate quest for, and ultimate redemption by, love will warm your heart."―Melanie Benjamin, author of Alice I Have Been

"Magical, yes, but THE SNOW CHILD is also satisfyingly realistic in its depiction of 1920s homestead-era Alaska and the people who settled there, including an older couple bound together by resilient love. Eowyn Ivey's poignant debut novel grabbed me from the very first pages and made me wish we had more genre-defying Alaska novels like this one. Inspired by a fairy tale, it nonetheless contains more depth and truth than so many books set in this land of extremes."―Andromeda Romano-Lax, author of The Spanish Bow

"This book is real magic, shot through from cover to cover with the cold, wild beauty of the Alaskan frontier. Eowyn Ivey writes with all the captivating delicacy of the snowfalls she so beautifully describes."―Ali Shaw, author of The Girl with Glass Feet

About the Author
Eowyn LeMay Ivey was raised in Alaska and continues to live there with her husband and two daughters. She received her BA in journalism and minor in creative writing through the honors program at Western Washington University, studied creative nonfiction at the University of Alaska Anchorage graduate program, and worked for nearly 10 years as an award-winning reporter at the Frontiersman newspaper. This is her first novel.

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603 of 625 people found the following review helpful.
Beauty, Ferocity, Joy and Sorrow
By Fairbanks Reader - Bonnie Brody
Having lived in Fairbanks, Alaska for 44 years, I was very anxious to read this book. It has an Alaskan theme and is touted as being written in the style of magical realism. I love literary fiction that is rich in characterization and language and this book has an abundance of both. It is bound to be one of the best books I'll read in 2012. The story is beautifully rendered and rich with metaphor. I could hardly bear to put it down.

Mabel and Jack are homesteaders who come to Alaska rather late in their lives. They are both close to fifty years old when they begin their Alaskan venture near the Wolverine river way in the backcountry. The story opens with Mabel contemplating suicide. She describes Alaska after her failed suicide attempt as a place of "beauty that ripped you open and scoured you clean so that you were left helpless and exposed, if you lived at all". She and Jack are growing apart rather than closer and she misses him desperately. Slowly, they become friends with their closest neighbors, Esther and George, and this helps Mabel some. However, she says of Jack, "they were going to be partners, she and Jack. This was going to be their new life together. Now he sat laughing with strangers when he hadn't smiled at her in years".

Mabel comes from an intellectual family - her father is a professor of literature at the University of Pennsylvania. She feels lonely and empty in her cabin. Just before they came to Alaska she gave birth to a stillborn boy. This was one of the primary reasons she wanted to get away from her family. She felt they were always looking at her and judging her as wanting, talking about her as not being a strong woman. Jack is busy with clearing and farming the homestead and he won't let Mabel help with this. He sees her job as staying in the house to cook, clean and bake her pies. They are barely making ends meet and Jack is contemplating taking a part-time job in a mine next year. Their situation is dire.

The wilderness is described in an awe-inspiring ferocity of beauty and fear. "Wherever the work stopped, the wilderness was there, older, fiercer, stronger than any man could ever hope to be. The spindly black spruce were so dense in places you couldn't squeeze an arm between them, and every living thing seemed barbed and hostile." "Alaska gave up nothing easily. It was lean and wild and indifferent to a man's struggle." Alaska's beauty is also described wonderfully - the northern lights, the wild animals, the rivers, waterfalls, snowfalls and alpenglow. "Maybe that was how a man held up his end of the bargain, by learning and taking into his heart this strange wilderness - guarded and naked, violent and meek, tremulous in its greatness."

The work is too hard for Jack and Mabel is suffering from cabin fever. One night, however, in a lightness of spirit, they decide to build a snow child. It turns out to be a girl with a lovely face, blond hair, blue eyes and chiseled lovely features. Mabel gives it mittens and a scarf as well. Shortly after building the snow child, they begin to see a child darting in and out of the trees. The snow child they built has disappeared and the child they see running around is wearing the same clothes as their snow child had been given. Is she real or is it a hallucinatory figment of cabin fever and overwork? Mabel and Jack see the child, follow her footprints in the snow and even get to meet her. However, no one else has ever seen her and there is no other family living near them with a girl child. Where has she come from and where does she live?

The story loosely follows the metaphorical fairy tale of The Snow Child, Mabel's favorite story from childhood. However, Mabel is fearful of the story's outcome and does not want to look at the coincidences too closely. The girl they meet is named Faina - Fay-ee-na. They begin to grow close to her and their lives change. "Mabel was no longer sure of the child's age. She seemed both newly born and as old as the mountains, her eyes animated with unspoken thoughts, her face impassive. Here with the child in the trees, all things seemed possible and true."

This is a life-affirming book, one that is close to the heart. It is never silly or maudlin. The writing is rich and lyrical, the characterizations full and complete with each person known and mysterious at the same time. We follow each of them through joys and sorrow. In many ways this is a book of perfection, one that is consummate and incomparable to any other I have ever read. I know it will live on in me and that I will have to re-read it. Thank you Ms. Ivey for bringing me back to Alaska through your eyes. What a wonderful way to see this world.

236 of 247 people found the following review helpful.
Fall into The Snow
By P. Woodland
Jack and Mabel live in a time where children were expected in a marriage. Mabel so wants to be a mother but she has only had one pregnancy and that ended in an early delivery of a child that did not survive. She and Jack didn't talk about it they just thought a fresh start was in order so they pulled up roots and started a homestead in Alaska. She with one set of dreams, he with another. Both not expressing them, both not talking, both afraid of the past, both trying to escape, both still yearning for a child.

Mabel sees Alaska as a way to escape from all of the pity she sees in the eyes of family and friends. She just wants life to be her and Jack. Jack knows they can't make it in such a harsh land alone. He is too old to be breaking the land. He needs help. Mabel feels at fault for her inability to give him children but Jack does not blame her...

Just at the right time a boisterous family comes into their life to help them manage their homestead. A family with three strong children. A woman who starts to bring Mabel out of her shell. Also at this time their appears a mystical child. A child that appears the day after Jack and Mabel make a small snowgirl. Is she real or is she a manifestation of all of Mabel's hopes and dreams?

I cannot tell you the joy I found in this book. Despite the overall sadness of the main theme there was much to celebrate within. Faina, the snow child was a delight! In writing her dialog no quotation marks are used so you "hear" it in your head and wonder if she is real or not. She came to me as a whisper on a breeze. I felt as if I had been dropped into a snowglobe and was living in some kind of mystical snow world. The writing almost surrounded me and then fell like the little pieces of snow. This book is special; I cursed my reading schedule because I could not immediately start it over again. I know that I will find more when I do get the opportunity to drop again into Faina's magical world.

It's by no means all magic and light. There is much depth to be found in the tale. Sadness and loss. The bonds of friendship and the power of love and what those two can do to keep a person from completely falling apart. I am not usually one for books with messages but this book stole my heart. It's a keeper and now sits on my top reads shelf. It made me laugh, it made me cry, it made me think. I love a book that makes me do all of that and more.

161 of 176 people found the following review helpful.
Lives Transformed by Magical Child
By Holly Weiss
Does anyone really belong to you? If you think of children or spouses in this regard, The Snow Child will stop you cold.

In the 1920's Mabel and Jack settle along the Wolverine River in Alaska. They hope the challenge of homesteading in the wild will wipe away years of grief and give them a fresh start. Instead, they find that work and isolation rule. The hardship of everyday life cuts away at their spirits. Cash is scarce. Hope dimmed. As the cold bites, each tries to survive in their own way.

After a fresh snowfall, they build a snow child in a moment of much-needed frivolity. When they awaken the next morning the snow child is demolished and the hand-knit mittens and scarf they draped on it are gone.

Jack sees a small girl running in the snow. When Mabel glimpses the blond girl, it unifies them. Jack hunts for a moose to keep them from starving in the winter. When he is ready to give up, the magical little girl appears and leads him to a moose. Food for winter is secured.

The little snow girl, Faina has frosty lashes, a cool blue stare, and is always accompanied by a red wolf. She seems otherworldly and Mabel and Jack find her appearances and disappearances disconcerting. They continue to try to maintain contact with her, but she remains elusive. Faina dictates the terms upon which the relationship grows. She brings to them physical gifts, but most importantly she offers hope and love.

The writing in this enchanting book is beautiful. Its direct simplicity reflects the austerity of the Alaskan atmosphere. The wilderness itself is an important character. Jack reflects on the land flowing with milk and honey that was to give up moose, caribou and bears. "What a different truth he found. Alaska gave up nothing easily. It was lean and wild and indifferent to a man's struggle."

Only someone intimately acquainted with Alaska could write so eloquently about its beauty and barrenness. This unique story masterfully juxtaposes the isolation and stillness of the land with its snow-covered beauty and the joys found in the simple life. Ms. Ivey aptly captures the contrast of the mystique versus the reality of homesteading in 1920s Alaska.

Eowyn LeMay Ivey was raised in Alaska and lives there with her husband and children. She received her BA in journalism and minor in creative writing through the honors program at Western Washington University and studied creative nonfiction at the University of Alaska Anchorage graduate program. She worked as an award-winning reporter at the Frontiersman newspaper for nearly 10 years. The Snow Child is her debut novel.

You will want to purchase this fanciful, entrancing book for your best friend. Lose yourself in The Snow Child to find healing, mystery and magic. Highly recommended.

Reviewed by Holly Weiss, author of Crestmont

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Implementation - How Great Expectations in Washington are Dashed in Oakland (Oakland Project), by Jeffrey L. Pressman, Aaron Wildavsky

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Implementation - How Great Expectations in Washington are Dashed in Oakland (Oakland Project), by Jeffrey L. Pressman, Aaron Wildavsky

  • Sales Rank: #1588199 in Books
  • Published on: 1973-08
  • Original language: English
  • Number of items: 1
  • Binding: Hardcover
  • 200 pages

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Rabu, 08 Januari 2014

[I756.Ebook] Download PDF Schaum's Outline of Electrical Circuits, 6th edition (ebook) (Schaum's Outlines), by Joseph Edminister, Mahmood Nahvi

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Schaum's Outline of Electrical Circuits, 6th edition (ebook) (Schaum's Outlines), by Joseph Edminister, Mahmood Nahvi

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Schaum's Outline of Electrical Circuits, 6th edition (ebook) (Schaum's Outlines), by Joseph Edminister, Mahmood Nahvi

Tough Test Questions? Missed Lectures? Not Enough Time?

Fortunately, there's Schaum's. This all-in-one-package includes more than 500 fully solved problems, examples, and practice exercises to sharpen your problem-solving skills. Plus, you will have access to 25 detailed videos featuring instructors who explain the most commonly tested problems--it's just like having your own virtual tutor! You'll find everything you need to build confidence, skills, and knowledge for the highest score possible.

More than 40 million students have trusted Schaum's to help them succeed in the classroom and on exams. Schaum's is the key to faster learning and higher grades in every subject. Each Outline presents all the essential course information in an easy-to-follow, topic-by-topic format. You also get hundreds of examples, solved problems, and practice exercises to test your skills.

This Schaum's Outline gives you

  • 500 fully solved problems
  • Extra practice on topics such as amplifiers and operational amplifier circuits, waveforms and signals, AC power, and more
  • Support for all the major textbooks for electric circuits courses

Fully compatible with your classroom text, Schaum's highlights all the important facts you need to know. Use Schaum’s to shorten your study time--and get your best test scores!

Schaum's Outlines--Problem Solved.

  • Sales Rank: #212490 in eBooks
  • Published on: 2013-11-08
  • Released on: 2013-11-08
  • Format: Kindle eBook

About the Author

Joseph A. Edminister is Professor Emeritus of Electrical Engineering from the University of Akron in Akron, Ohio, where he also served as an assistant dean and acting dean of engineering. Edminister is a registered Professional Engineer in Ohio, a member of the bar in Ohio, and a registered patent attorney. He is also the author of Schaum's Outline of Theory and Problems of Electromagnetics.

Mahmood Nahvi, PhD, is a professor of electrical engineering at California Polytechnic State University in San Luis Obispo, California. Dr. Nahvi’s areas of special interest and expertise include network theory, control theory, communications engineering, signal processing, neural networks, adaptive control and learning in synthetic and living systems, communication and control in the central nervous system, and engineering education. In the area of engineering education, he has developed computer modules for electric circuits, signals, and systems which improve teaching and learning of the fundamentals of electrical engineering.

Most helpful customer reviews

3 of 3 people found the following review helpful.
This is not for ece students trying to learn circuit ...
By Dennis
This is not for ece students trying to learn circuit analysis. For that purpose, get basic circuit analysis by the same series. This is an overall reference book for filling in all the stuff about capacitors, resistors, and amplifiers and stuff your professor skipped over in your second or third year of ece. First year ece at my college doesn't really go over much more than basic c++programming and series/parallel circuit analysis.

1 of 1 people found the following review helpful.
this book was great help once i understood the fundaments themselves
By Reevu
A little more difficult than what i would say a fundamental level truly is, but after a couple semesters of class, this book was great help once i understood the fundaments themselves. Just keep in mind if you just started, it may be difficult to comprehend and i would look elsewhere to help you through fundamental.

1 of 1 people found the following review helpful.
The book is great for someone who has already had some form of ...
By Shoshana Bartell
The book is great for someone who has already had some form of basic circuits. This is not a book to start with to grasp concepts. Not that the book is bad in any way, it is just not one to start with when trying to get the basics.

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Selasa, 07 Januari 2014

[E707.Ebook] PDF Download Real Estate Development: Principles and Process, by Mike E. Miles, Gayle L. Berens, Mark J. Eppli, Marc A. Weiss

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Real Estate Development: Principles and Process, by Mike E. Miles, Gayle L. Berens, Mark J. Eppli, Marc A. Weiss



Real Estate Development: Principles and Process, by Mike E. Miles, Gayle L. Berens, Mark J. Eppli, Marc A. Weiss

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Real Estate Development: Principles and Process, by Mike E. Miles, Gayle L. Berens, Mark J. Eppli, Marc A. Weiss

Ideal for anyone new to real estate development, the fourth edition of this bestselling book covers each stage of the process step by step, explaining the basics of idea conception, feasibility, planning, financing, market analysis, contract negotiation, construction, marketing, and asset management. Thoroughly updated, the book includes material on financing and marketing.

  • Sales Rank: #218980 in Books
  • Published on: 2007-12-15
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.00" h x 1.69" w x 8.00" l, 3.99 pounds
  • Binding: Hardcover
  • 576 pages

About the Author
Mike E. Miles is a portfolio manager for Guggenheim Real Estate, manager of nearly 3 billion in assets. Miles has also been a professor of real estate and dean of the business school at University of North Carolina at Chapel Hill.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Highly recommend for someone like myself who is considering entering real ...
By Jack
Highly recommend for someone like myself who is considering entering real estate development. Clear, concise, and comprehensive overview of the industry and of the job of real estate developer. It's a textbook no doubt, but the personal stories of developers and of projects can provide breaks to the overload of information this book provides.

0 of 0 people found the following review helpful.
Great introductory book on the basic fundamental principals necessary to ...
By Sean black
Great introductory book on the basic fundamental principals necessary to effectively vision, , "construct" , and articulate the framework of real estate development project to various project contributors, stakeholders, and investors.

0 of 0 people found the following review helpful.
Five Stars
By Mikaele Dreu
It was awesome.

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Real Estate Development: Principles and Process, by Mike E. Miles, Gayle L. Berens, Mark J. Eppli, Marc A. Weiss PDF
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